BGSU’s Early Music Ensemble, under the direction of Dr. Arne Spohr, has been selected by Early Music America to perform at Early Music America’s Young Performers Festival in Berkeley, CA. This nationally recognized festival will be featuring top university early music ensembles from around the United States, including groups from Indiana University, University of Southern California, Case Western Reserve University, and Brigham Young University Idaho. All performances will take place at St. Mark’s Episcopal Church from June 8th – 10th as part of the Berkeley Music Festival.
Eftychia Papanikolaou, Associate Professor of Musicology, and Myra Merritt, Professor of Voice, will present two pre-performance talks at Toledo Opera’s production of George Gershwin’s Porgy and Bess, Friday, February 12 at 6:30 p.m. and Sunday, February 14 at 1 p.m. in the Grand Lobby of the Valentine Theatre.
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The Board of Directors of the Fromm Music Foundation at Harvard University is pleased to announce the names of fourteen composers selected to receive 2015 Fromm commissions. These commissions represent one of the principal ways that the Fromm Music Foundation seeks to strengthen composition and to bring contemporary concert music closer to the public. In addition to the commissioning fee, a subsidy is available for the ensemble performing the premiere of the commissioned work.
Among the fourteen recipients is local composer Mikel Kuehn, a resident of Sylvania, Ohio, and faculty at Bowling Green State University.
Founded by the patron of contemporary music, the late Paul Fromm, the Fromm Foundation is now in its sixtieth year, having been located at Harvard University for the past forty. Since the 1950s, it has commissioned well over 300 new compositions and their performances, and has sponsored hundreds of new music concerts and concert series.
BOWLING GREEN, OH— Orchestral compositions written by Bowling Green State University College of Musical Arts students will be read, rehearsed and recorded by Toledo Symphony Orchestra (TSO) musicians on Tuesday, Nov. 10, from 3:30-6 p.m. in BGSU’s Kobacker Hall. Michael Lewanski, a prominent figure on the international contemporary music scene, will lead the orchestra while acclaimed composer, conductor author and educator Samuel Adler will be present to observe the session and give comments in an evening masterclass.
After a review of the submitted scores, the following works were selected for the session:
– Richard Arndorfer Aurora
– Andrew Binder Endleofan
– Emily Custer Seelenruhe
– Matthew Ramage Mutability
– Jacob Sandridge I-77
The TSO will be bringing its largest complement of players to BGSU, 72 musicians in all. “Few academic institutions can offer this kind of professional experience, making this a unique opportunity for BGSU students,” said Christopher Dietz, a faculty member in musicology, composition and theory and organizer of the session.
The event is open to students, faculty and staff of the BGSU College of Musical Arts and invited guests. Members of the public who would like to attend should email faculty liaison Christopher Dietz (firstname.lastname@example.org) to be included on the guest list.
Eftychia Papanikolaou, Associate Professor of Musicology, has been invited to present two pre-performance lectures at Toledo Opera’s production of Giacomo Puccini’s Madama Butterfly, Friday, October 2 at 6:30 p.m. and Sunday, October 4 at 1 p.m.
The allure of the East had captivated opera audiences for the better part of the nineteenth century—tales of the Other constructed through European lens offered boundless opportunities for visual splendor and aural opulence. Written at the dawn of the new century, Madama Butterfly (1904) constitutes Giacomo Puccini’s answer to japonisme, the overwhelming fascination with everything Japanese that thrilled Europeans and Americans alike after 1860.
The opera transports us to the exotic world of nineteenth-century Japan and the ill-fated love between a 15-year-old geisha and an American naval officer. The innocent but passionate Cio-Cio-San (Butterfly) marries the conceited Lieutenant Pinkerton, only to be abandoned when he returns to the US. The stereotypical portrayal of the two protagonists gives us a glimpse into the uneasy historical context that surrounded the encounter between East and West. Puccini’s score, peppered with traditional Japanese music he studied while composing the opera, leaves no doubt about the irresistible power of the music to move, surprise and seduce us. It invites us to leave behind our present-day post-colonial anxieties and rather indulge in the emotional cornucopia and dramatic finesse of one of the composer’s finest creations.
Toledo Opera’s Madama Butterfly is a production of the so-called “Brescia version” of May 1904, the revision that Puccini fashioned three months after the disastrous premiere at La Scala. The opera would undergo several more revisions, until its standard version was established in the Paris production of 1906.
Eftychia Papanikolaou, Ph.D.
Bowling Green State University
For more information please visit ToledoOpera.org.
Nathan Williams, BGSU alumni ’07, became the Junior High Director of Bands at Odem-Edroy ISD (Odem, TX) in fall 2014. He earned sweepstakes, which is a I in Concert and a I in sightreading in his first year with his Junior High Symphonic Winds as well as the High School Symphonic Band. His Sweepstakes with the High School Symphonic Band combined with the High School Wind Ensemble Sweepstakes made Odem one of only two AAA schools in Texas to have multiple bands earn sweepstakes.