Category Archives: education

Bassoon Chamber Music New Release from Susan Nelson and BGSU Faculty

BCMCC CD Cover

“Elements,” the winning works from the 2012 and 2014 Bassoon Chamber Music Composition Competition was released on January 1st with the MSR Classics label. The CD showcases music for bassoon, and all the works on the CD are world premiere recordings. Recording artists include Susan Nelson, bassoon; Nermis Mieses, oboe; Solungga Fang-Tzu Liu, piano; Jennifer Goode Cooper, soprano; Matthew Daline, viola; Steve Miahky and Christina McGann, violins; Jacqueline Black, cello; and Jeffrey Barudin, marimba.  The pieces were recorded in the Donnell Theatre in the Wolfe Center for the Arts by Mark Bunce.

Susan Nelson, Professor of Bassoon at BGSU, is a performer and proponent of new works for the instrument. This winter she is the Guest Artist Instructor for the Bocal Majority Bassoon Camp in Las Vegas, January 17-19, 2015.  Dr. Nelson will work with students on reed making, chamber music, and special topics as well as give daily faculty recitals.

Class of 2014 Success Stories: When Reality Strikes

Kimberly Lewis

Music major overcomes setbacks to achieve high goals

By Liz Gladieux

 

Her lifelong dreams revolved around music. She sat first chair flute in the top band at Ohio’s Stow-Monroe Falls High School and she was accepted into BGSU’s nationally recognized College of Music to study music education. Kimberly Lewis thought she was right on track to achieve her goals.

“All I ever wanted to do with my life was to be a musician and help others through music,” said Lewis. “From the time I can remember, music was a main focus in my life. I couldn’t imagine myself having a profession that did not involve music.”

During her freshman year at BGSU, reality hit Lewis hard. “I wasn’t seated in the top band, Wind Symphony. I wasn’t seated in Concert Band, the second tier band,” said Lewis.  “I was seated in University band, a non-audition based band. I was the lowest ranked flute major at BGSU!”

This placement was a huge blow to Lewis and it made her question where she was headed and what she should do. “This placement was a real reality check for me,” she said.

Lewis looked inward and realized she was suffering from performance anxiety and self-doubt. “I realized I would have to work hard to get better in order to do what I wanted.”

She decided to find out more about performance anxiety and how to conquer it. As part of her Honors program, she worked with Dr. Conor Nelson, assistant professor of flute, and Dr. Kenneth Thompson, chair of music education, to research the subject. She also attended a summer festival and workshop focused on performance anxiety and carried out extensive research.

“This project made me realize I wasn’t alone and that I was in control.  It was up to me to change my reactions to the anxiety,” she said.

The change did not happen overnight. “It wasn’t until I made the finals of the BGSU Concerto Competition during my junior year that I began believing in myself. I didn’t think I was good enough, but I kept trying. No one was more surprised than me when I made the finals! It was in my junior year that I really began enjoying the experience of performaing,” said Lewis.

Overcoming performance anxiety was just the first step for Lewis. During one of her flute lessons with Nelson, he asked if she had considered being a performance major. Initially surprised at the suggestion, it propelled Lewis into an even more focused drive for success in music. “I realized that the music world is big and full of many different ways to share music.”

Three years later, Lewis has achieved her goals. She will end her BGSU career as second chair flute in the Wind Symphony and will be graduating Dec. 19 with a double major in music education and music performance.

Lewis gives credit for much of her success to Nelson. “He saw things in me I didn’t see or believe I had. I didn’t have enough confidence and he helped to instill that in me. I don’t know if I could have done it without Dr. Nelson.”

Nelson has nothing but praise for Lewis. “Majoring in both music education and performance is not for the weak of heart. It is a track that only someone with her exquisite time-management skills, talent and broad interests could possibly manage. We are so proud of her. Kim matured exponentially as a musician and flutist during her time at BGSU.

“Musically, her developments were of epic proportion; in many respects, I have never seen anyone improve so quickly. She now plays with a sound that belies her years and with an excitement for music that is apparent to all. In tandem with her somewhat shocking musical developments, she also grew as a person, overcoming any obstacle in her way,” noted Dr. Nelson.  “Kim is a true star. I feel that she could do anything she puts her mind to and I know that she will make the CMA proud.”

Other faculty with whom she worked also noticed Lewis’ abilities. “Kim came to BGSU with a great deal of talent, but with limited experience. She is a perfect example of what a student can achieve if they apply themselves to focused worked and diligent study,” said Thompson. “She performed in our third tier ensembles as a freshman, and in four short years advanced to the very top of our undergraduate class, performing in top level ensembles and being recognized as a finalist in our concerto competition. She is an excellent young musician and teacher.”

Lewis will pursue her master’s degree in music and then see what happens next.

“I would like to teach flute on a collegiate level, but if it doesn’t happen, that’s okay,” mused Lewis. “It doesn’t matter what level I teach. What matters is that I will be teaching and helping others to have a great musical experience and sharing my music with as many people as possible.  There are so many paths and options ahead of me.”

CMA Faculty and Students Participate in STEM in the Park

CMA Professor Elainie Lillios and six BGSU graduate composers representing BGSUElectroacoustics will host a hands (and ears)-on display at  STEM in the Park, a young persons fair featuring interactive displays and activities involving science, technology, engineering, and mathematics (STEM.) Their booth’s title, “What’s that CRAZY Sound? Making Music with Technology” features a recording and sound processing station, a video tracking system that translates the human image into music, and two iPads loaded with fun sound apps. Stop by to experience the
exciting world of music technology! Saturday 07 September, 10-2pm, BGSU Perry Fieldhouse

Series tickets on sale for Festival Series

BOWLING GREEN, O.—The College of Musical Arts at Bowling Green State University invites the community to “Experience the Top” during the 2013-14 Festival Series. Highlighting performances in a variety of categories, the series features artists who are rising to the top. Series tickets are available now online at the BGSU box office.

The series begins on Sept. 28 in Kobacker Hall, where guests can listen to outstanding young musicians at a live taping of the popular National Public Radio show “From the Top,” hosted by acclaimed pianist Christopher O’Riley, who also performed as a soloist in the 2012 BGSU Festival Series.

What began as a radio experiment in 2000 quickly became one of the fastest growing and most popular weekly classical music programs on public radio. Broadcast on nearly 250 stations nationwide to an audience of more than 700,000 listeners each week, “From the Top” celebrates the performances and stories of America’s best pre-college classical musicians.

“‘From the Top’ gives young musicians the stage but lets them act their age. It’s serious music but classically kids,” said The New York Times.

Continuing the series, guests will experience an extravaganza of BGSU’s top artistic talent on Dec. 6 at a special holiday concert that will be part of the annual ArtsX event. In the first ever such large-scale collaboration, the College of Musical Arts, the School of Art, and the departments of theater and film, creative writing, and dance will present an artistic showcase themed “Wonderland.” The concert will include ensembles from the University and community, as well as readings, performances and artistic expressions celebrating the season from students and faculty in theater, film, dance and fine art. This is a holiday event that encompasses all the talents among the arts at BGSU, and will be an evening for all ages.

In the spring of 2014, Festival Series will welcome one of today’s top pianists, Jeremy Denk, performing on Feb. 15. “Mr. Denk, clearly, is a pianist you want to hear no matter what he performs, in whatever combination – both for his penetrating intellectual engagement with the music and for the generosity of his playing,” said the New York Times.

An American pianist with an international reach, Denk has steadily built a reputation as an unusual and compelling artist, with a broad and thought-provoking repertoire. He has appeared as soloist with many major orchestras in the United States and around the world. But beyond that, Denk is also known for his witty and personal music writing, which has appeared in The New Yorker and Newsweek, on the front page of the New York Times Book Review, on the NPR Music website and in his widely read blog.

The Festival Series concludes April 5, 2014, on a comic note with the renowned Improvised Shakespeare Company (ISC). Based on an audience suggestion, the company creates a fully improvised play in Elizabethan style. Each of the players has brushed up on his “thee’s” and “thou’s” to produce evening of off-the-cuff comedy using the language and themes of William Shakespeare. Any hour could be filled with power struggles, star-crossed lovers, sprites, kings, queens, rhyming couplets, insults, persons in disguise and all that we’ve come to expect from the pen of the Great Bard. The night could reveal a tragedy, comedy, or history. Nothing is planned out, rehearsed, or written. Each play is completely improvised, so each play is entirely new.

The Improvised Shakespeare Company, founded in 2005, has been performing its critically acclaimed show every Friday night at the world-famous iO Theater in Chicago and entertains audiences around the globe. It has been named Chicago’s best improvisation group by both the Chicago Reader and the Chicago Examiner and has received a New York Nightlife Award for “Best Comedic Performance by a Group.”

The Festival Series is one of the oldest running performance series at BGSU, and is made possible by the support of the community. Series tickets range from $58-$147 and are available online, or by calling the Arts Box Office at 419-372-8171. Individual event tickets will be available in August. Visit the Arts Box Office website for specific ticket prices and event times.