BGSU’s Early Music Ensemble, under the direction of Dr. Arne Spohr, has been selected by Early Music America to perform at Early Music America’s Young Performers Festival in Berkeley, CA. This nationally recognized festival will be featuring top university early music ensembles from around the United States, including groups from Indiana University, University of Southern California, Case Western Reserve University, and Brigham Young University Idaho. All performances will take place at St. Mark’s Episcopal Church from June 8th – 10th as part of the Berkeley Music Festival.
BOWLING GREEN, OH— Orchestral compositions written by Bowling Green State University College of Musical Arts students will be read, rehearsed and recorded by Toledo Symphony Orchestra (TSO) musicians on Tuesday, Nov. 10, from 3:30-6 p.m. in BGSU’s Kobacker Hall. Michael Lewanski, a prominent figure on the international contemporary music scene, will lead the orchestra while acclaimed composer, conductor author and educator Samuel Adler will be present to observe the session and give comments in an evening masterclass.
After a review of the submitted scores, the following works were selected for the session:
– Richard Arndorfer Aurora
– Andrew Binder Endleofan
– Emily Custer Seelenruhe
– Matthew Ramage Mutability
– Jacob Sandridge I-77
The TSO will be bringing its largest complement of players to BGSU, 72 musicians in all. “Few academic institutions can offer this kind of professional experience, making this a unique opportunity for BGSU students,” said Christopher Dietz, a faculty member in musicology, composition and theory and organizer of the session.
The event is open to students, faculty and staff of the BGSU College of Musical Arts and invited guests. Members of the public who would like to attend should email faculty liaison Christopher Dietz (firstname.lastname@example.org) to be included on the guest list.
The 2015-16 Klingler ElectroAcoustic Residency (KEAR) congratulates and welcomes its 2015-16 recipients who will work on creative projects in the multi-channel/Ambisonic studio at Bowling Green State University (Ohio USA) during this academic year:
James Andean (Finland) – Fall 2015
Louise Harris (UK) – Spring 2016
The competition received 23 applications from 11 countries including the US, Canada, UK, Argentina, Brazil, Finland, France, Greece, Hungary, Italy, and Spain. The quality of submissions was very high and the creative and technical ideas inspiring. We thank everyone who proposed so many great projects and wish we could accept them all.
Many thanks to the jury who carefully reviewed all applications:
Adam Basanta – independent sound artist/composer and 2013 KEAR recipient
Manuella Blackburn – Liverpool Hope University, UK
Judith Shatin – University of Virginia, USA
Stay tuned for news about the 2016-17 KEAR opportunity, which will be announced in early 2016. We welcome all applicants who want to explore multi-channel, live performance, and/or Ambisonic projects.
For 1975 BGSU alumnus Scott Lavender, his career has been a series of connections that has led to his musical success.
One of his most enduring connections was made in 1990, when Johnny Mathis’s librarian/copyist, whom he had met during a gig in the late 1970s in Wichita, Kansas, suggested Lavender audition to play with the popular music singer. He was hired, started in January 1991 and has worked with him ever since.
“It’s the best job of its kind,” Lavender said. “He (Mathis) carries four of us with him for his shows; we play all over the country, always with an orchestra.
“No one carries people around with them any more, not even Tony Bennett.” Lavender added.
And this week on Thursday night, Mathis is bringing his team along when he performs holiday tunes on The Tonight Show. It’s not the first time Lavender has been on The Tonight Show with Mathis, but he always enjoys the opportunity.
In addition to working with Mathis, Lavender has made a name for himself as a conductor in the world of symphony pops concerts. He has conducted nationally and internationally and offers pops programs to orchestras and audiences across North America.
Lavender grew up in Findlay, Ohio, in a house where music was the norm. His parents appreciated music ranging from classical to country. “If it was good music, they played it,” Lavender recalled. At the age of 7, he started playing piano, but like many children he was bored with practicing, so he gave up the piano when he was 11.
That didn’t end his musical career; instead, he joined a rock and roll band in junior high, and then discovered jazz in college at BGSU. His musical prowess caught the attention of then-musical arts faculty member David Melle, who recruited him as a sophomore to play trombone in the jazz lab band. For the next three years, while earning a bachelor’s degree in piano performance, he was in the jazz lab band performing everything from jazz to pop music.
Following graduation, he followed up on a jazz band connection that landed him at the University of North Texas in their prestigious jazz studies master’s program. He found the studies a bit confining, so instead opted to go on the road with Jesse Lopez, a buddy he met in Dallas and brother to Trini Lopez. “Three hundred dollars a week seemed like a good thing at the time,” Lavender said with a laugh.
While touring with Lopez, a job in Wichita also made a forever connection for him- it’s where he met Carolyn, his wife-to-be, in 1976. Two years later, they married and moved to L.A. in search of work with $500 in their pockets. Shortly after the move, he was contacted by another Texas connection – Marlene Ricci – who asked if he wanted to go to Las Vegas and perform, opening for Sinatra at the Palace. After one week there, he and his wife moved to Vegas, where they stayed for three years. “I worked there doing all kinds of production shows, small groups and gaining an understanding of the profession.
A Las Vegas connection then hooked him up with folk singer Glenn Yarbrough (and the Limelighters), which afforded him the opportunity to move back to L.A., where his wife could study communicative disorders, and he eventually earned a master’s in instrumental conducting.
The only time he did not have a connection for that next gig was in 1984. “I had put my name into a musician’s contact service, where anyone can pay a fee to look for available musicians.” Lavender said.
“One night I had been playing in a smoky bar and came home to a message on my machine of a guy looking for a keyboard player,” he recalled. It turned out to be Daryl Dragon of the musical duo Captain and Tennille.
He has kept in touch with people who are particularly talented, he admits, which has helped pave the way for his successful career. ‘The biggest success is lasting this long and being able to make a living in this business,” he said.
“I’ve been able to do what I love, support and family and do OK. And I’m still at it,” he said. If anyone had told 35 years ago that he would realize this kind of success, he would have been surprised.
“If I had jumped from the starting point to this, it would have been surprising, but as you go along, over the years, it’s a different perspective,” he said. “I liken it to looking at a painting up close: you only see the dots when you are up close, but when you step back and get perspective, you see the whole picture.”
Recently, they decided to get out of the big city. He and his family moved to his hometown to start a new phase of life. “I hoped at some point to have the opportunity to teach,” he said. And by chance, he was watching a BGSU basketball game when Jeffrey Showell, dean of the College of Musical Arts, introduced himself and asked if Lavender would be interested in teaching at BGSU. “It’s another case of perfect timing,” he said.
For the first time this fall, he taught a conducting course on campus, and plans to continue in the spring, as well. “The students here are so focused and take their studies so seriously,” he said. “Most of them have no idea who Johnny Mathis is, but when I told them I would be on the Tonight Show, that’s what they wanted to talk about.”
Acoustic guitarist Mark Kroos took first place in Guitar Player Magazine’s 2011 International Guitar Superstar Competition on July 23rd in Nashville. Mark and 4 other competitors each performed one original composition in front of renown guitar judges Muriel Anderson, Reeves Grabrels, Carl Verheyen and host Larry Carlton. Mark took the cake with his piece titled “Flight Attempt.” Fredrik Halland from Norway placed second and Arek Religa from Chicago came in third.
Currently based in Williamsburg, VA, Mark graduated from Bowling Green State University in 2008 with a Bachelor of the Arts in music. He resided in Bowling Green for a year following graduation to teach guitar and perform in his ska / punk band, The Argonauts.
Mark plays two guitar necks at the same time, one with each hand. His style is reminiscent of the late Michael Hedges and draws influence from guitarists such as Leo Kottke, Phil Keaggy and Tommy Emmanuel as well as various punk and indie rock bands.
Mark has been on tour since May, 2010 save a few short breaks for rest, playing concerts or giving clinics every other night on average. Mark plays at bars, coffee houses, listening rooms, churches, schools, house concerts and just about any kind of venue available. He was recently added to the roster of artists endorsed with Ovation Guitars.
Winning the Guitar Superstar Competition awards Mark with a number of prizes including a feature in Guitar Player Magazine and copious amounts of other press. Other endorsements and sponsorships have been offered and Mark has also finalized a partnership with D’Addario Strings and Planet Waves Accessories.
Video of Mark’s winning performance is available at www.markkroos.com.
Print quality photos available at www.sonicbids.com/markkroos
For further information, contact
(Submitted by Mark Kroos)