BGSU’s Early Music Ensemble, under the direction of Dr. Arne Spohr, has been selected by Early Music America to perform at Early Music America’s Young Performers Festival in Berkeley, CA. This nationally recognized festival will be featuring top university early music ensembles from around the United States, including groups from Indiana University, University of Southern California, Case Western Reserve University, and Brigham Young University Idaho. All performances will take place at St. Mark’s Episcopal Church from June 8th – 10th as part of the Berkeley Music Festival.
Bowling Green State University will be well represented at the 2016 New Music Gathering held at the Peabody Conservatory. The following list includes those from BGSU performing and lecturing during this highly acclaimed new music conference:
- Alumnus Ryan Muncy, part of panels: “Commissioning New Music”, and “New Music and Community Building”
- Faculty member Ryan Ebright, part of panel: “New Music(ology) Gathering: Scholarly Perspectives on American New Music Since 1960”
- Current DMA student Aaron Hynds: performance, 60 minute lecture/demo/question workshop
- Current DMA student Hillary LaBonte: panel, “The Church of New Music: Places of Worship and the New Music Community”
- Alumnae Viola Yip and Ellery Trafford: performance, “Instrumentalists Using the Voice”
BGSU students, faculty, and alumnae will participate in this interdisciplinary event taking place January 6-9, 2016.
From the mission statement of New Music Gathering:
“Even in a culture that thrives on connectivity, the ancient idea of simply being in the same place at the same time to exchange ideas continues to be the most effective, and New Music Gathering fills that need.
Following the conference model, the event will be three days of performances, presentations, and discussions, but as it is to be run not by an organization but by four working musicians – Lainie Fefferman, Daniel Felsenfeld, Mary Kouyoumdjian, and Matt Marks – it should be a way to “skip the middleman” and focus on the needs and desires of the community directly.
As it is to be based in a different city annually, aside from bringing together those who write, perform and promote “contemporary classical” music to meet, talk, and develop collaborative relationships, the Gathering will also focus on the dedicated population in that specific region.”
The Board of Directors of the Fromm Music Foundation at Harvard University is pleased to announce the names of fourteen composers selected to receive 2015 Fromm commissions. These commissions represent one of the principal ways that the Fromm Music Foundation seeks to strengthen composition and to bring contemporary concert music closer to the public. In addition to the commissioning fee, a subsidy is available for the ensemble performing the premiere of the commissioned work.
Among the fourteen recipients is local composer Mikel Kuehn, a resident of Sylvania, Ohio, and faculty at Bowling Green State University.
Founded by the patron of contemporary music, the late Paul Fromm, the Fromm Foundation is now in its sixtieth year, having been located at Harvard University for the past forty. Since the 1950s, it has commissioned well over 300 new compositions and their performances, and has sponsored hundreds of new music concerts and concert series.
BOWLING GREEN, OH— Orchestral compositions written by Bowling Green State University College of Musical Arts students will be read, rehearsed and recorded by Toledo Symphony Orchestra (TSO) musicians on Tuesday, Nov. 10, from 3:30-6 p.m. in BGSU’s Kobacker Hall. Michael Lewanski, a prominent figure on the international contemporary music scene, will lead the orchestra while acclaimed composer, conductor author and educator Samuel Adler will be present to observe the session and give comments in an evening masterclass.
After a review of the submitted scores, the following works were selected for the session:
– Richard Arndorfer Aurora
– Andrew Binder Endleofan
– Emily Custer Seelenruhe
– Matthew Ramage Mutability
– Jacob Sandridge I-77
The TSO will be bringing its largest complement of players to BGSU, 72 musicians in all. “Few academic institutions can offer this kind of professional experience, making this a unique opportunity for BGSU students,” said Christopher Dietz, a faculty member in musicology, composition and theory and organizer of the session.
The event is open to students, faculty and staff of the BGSU College of Musical Arts and invited guests. Members of the public who would like to attend should email faculty liaison Christopher Dietz (firstname.lastname@example.org) to be included on the guest list.
BOWLING GREEN, O. – Faculty and graduate students from Bowling Green State University’s renowned contemporary music program will be performing at Trinosophes in Detroit (1464 Gratiot) with a program of new music by Georges Aperghis, John Drumheller, Jonathan Harvey, BGSU faculty composer Mikel Kuehn, Bright Sheng, Toru Takemitsu and Ashley Fu-Tsun Wang. The concert will take place on Saturday, April 18th at 8 p.m.
Home to the MidAmerican Center for Contemporary Music, the renowned Bowling Green New Music Festival (now entering its 36th year), a robust composition program and a vibrant new music-focused Doctor of Musical Arts curriculum, the BGSU College of Musical Arts has been an active contributor to the national and international new music scene for almost four decades.
Participating faculty from the College of Musical Arts include flutist Conor Nelson, pianists Solungga Fang-Tzu Liu and Jeannette Fang, trumpeter Charles Saenz, cellist Alan Smith, and saxophonist John Sampen, along with clarinetist Gunnar Owen Hirthe, pianist Zachary Nyce, violist Kalindi Bellach and saxophonist Matthew Younglove, all of whom are students in the DMA program.
Tickets for the concert are $5, and can be reserved through Trinosophes at 313-737-6606. More information about the venue can be found at http://www.trinosophes.com.
For more information contact the MidAmerican Center for Contemporary Music at 419-372-2685, email email@example.com, or visit us on the web at http://www.bgsu.edu/musical-arts/maccm/NMBG.html
BOWLING GREEN, O. – Francis Poulenc’s “Dialogues of the Carmelites” will be presented at 8 p.m. March 27 and 3 p.m. March 29 in the Thomas B. and Kathleen M. Donnell Theatre in the Wolfe Center for the Arts on the BGSU campus.
Poulenc’s powerful 1957 opera, about an order of Carmelite nuns who refuse to renounce their beliefs in the wake of the French Revolution, is presented in collaboration with BGSU’s Department of Theatre and Film. The opera is directed by Nicholas Wuehrmann and features the orchestra conducted by Dr. Emily Freeman Brown. In accordance with Poulenc’s wishes that the opera be performed in the language of its audience, BGSU’s production will be sung in the composer’s approved English translation by Joseph Machlis.
With social unrest rippling through Paris, a timid young woman leaves her aristocratic family to seek refuge at a convent in northern France. She strives to align with her fellow sisters, who soon discover they must either abandon their monastery or face certain execution. Their act of defiance in the face of fear becomes a gripping, emotional story of loyalty, redemption, and sacrifice.
“Poulenc’s soaring score is served beautifully by The BGSU Opera Theater, and the universal themes of war, persecution, fear, faith and love are given a unique treatment by our production which transcends time,” noted Nicholas Wuehrmann, visiting director for the opera. Wuehrmann is an actor/singer/director living in New York City. He performs in musical theater, film and television, Shakespeare, comedy and drama, opera and operetta, and with symphonies.
Tickets for “Dialogues of the Carmelites” are $15 for adults and $5 for students or children when purchased in advance. On the day of the performance, all tickets are $20. To purchase tickets, visit bgsu.edu/Arts or call the Arts Box Office at 419.372.8171.