BGSU’s Early Music Ensemble, under the direction of Dr. Arne Spohr, has been selected by Early Music America to perform at Early Music America’s Young Performers Festival in Berkeley, CA. This nationally recognized festival will be featuring top university early music ensembles from around the United States, including groups from Indiana University, University of Southern California, Case Western Reserve University, and Brigham Young University Idaho. All performances will take place at St. Mark’s Episcopal Church from June 8th – 10th as part of the Berkeley Music Festival.
Eftychia Papanikolaou, Associate Professor of Musicology, and Myra Merritt, Professor of Voice, will present two pre-performance talks at Toledo Opera’s production of George Gershwin’s Porgy and Bess, Friday, February 12 at 6:30 p.m. and Sunday, February 14 at 1 p.m. in the Grand Lobby of the Valentine Theatre.
For more information please visit:
Bowling Green State University will be well represented at the 2016 New Music Gathering held at the Peabody Conservatory. The following list includes those from BGSU performing and lecturing during this highly acclaimed new music conference:
- Alumnus Ryan Muncy, part of panels: “Commissioning New Music”, and “New Music and Community Building”
- Faculty member Ryan Ebright, part of panel: “New Music(ology) Gathering: Scholarly Perspectives on American New Music Since 1960”
- Current DMA student Aaron Hynds: performance, 60 minute lecture/demo/question workshop
- Current DMA student Hillary LaBonte: panel, “The Church of New Music: Places of Worship and the New Music Community”
- Alumnae Viola Yip and Ellery Trafford: performance, “Instrumentalists Using the Voice”
BGSU students, faculty, and alumnae will participate in this interdisciplinary event taking place January 6-9, 2016.
From the mission statement of New Music Gathering:
“Even in a culture that thrives on connectivity, the ancient idea of simply being in the same place at the same time to exchange ideas continues to be the most effective, and New Music Gathering fills that need.
Following the conference model, the event will be three days of performances, presentations, and discussions, but as it is to be run not by an organization but by four working musicians – Lainie Fefferman, Daniel Felsenfeld, Mary Kouyoumdjian, and Matt Marks – it should be a way to “skip the middleman” and focus on the needs and desires of the community directly.
As it is to be based in a different city annually, aside from bringing together those who write, perform and promote “contemporary classical” music to meet, talk, and develop collaborative relationships, the Gathering will also focus on the dedicated population in that specific region.”
The Board of Directors of the Fromm Music Foundation at Harvard University is pleased to announce the names of fourteen composers selected to receive 2015 Fromm commissions. These commissions represent one of the principal ways that the Fromm Music Foundation seeks to strengthen composition and to bring contemporary concert music closer to the public. In addition to the commissioning fee, a subsidy is available for the ensemble performing the premiere of the commissioned work.
Among the fourteen recipients is local composer Mikel Kuehn, a resident of Sylvania, Ohio, and faculty at Bowling Green State University.
Founded by the patron of contemporary music, the late Paul Fromm, the Fromm Foundation is now in its sixtieth year, having been located at Harvard University for the past forty. Since the 1950s, it has commissioned well over 300 new compositions and their performances, and has sponsored hundreds of new music concerts and concert series.
BOWLING GREEN, OH— Orchestral compositions written by Bowling Green State University College of Musical Arts students will be read, rehearsed and recorded by Toledo Symphony Orchestra (TSO) musicians on Tuesday, Nov. 10, from 3:30-6 p.m. in BGSU’s Kobacker Hall. Michael Lewanski, a prominent figure on the international contemporary music scene, will lead the orchestra while acclaimed composer, conductor author and educator Samuel Adler will be present to observe the session and give comments in an evening masterclass.
After a review of the submitted scores, the following works were selected for the session:
– Richard Arndorfer Aurora
– Andrew Binder Endleofan
– Emily Custer Seelenruhe
– Matthew Ramage Mutability
– Jacob Sandridge I-77
The TSO will be bringing its largest complement of players to BGSU, 72 musicians in all. “Few academic institutions can offer this kind of professional experience, making this a unique opportunity for BGSU students,” said Christopher Dietz, a faculty member in musicology, composition and theory and organizer of the session.
The event is open to students, faculty and staff of the BGSU College of Musical Arts and invited guests. Members of the public who would like to attend should email faculty liaison Christopher Dietz (email@example.com) to be included on the guest list.
Adam D. O’Dell’s article discussing The Influence of Gregorian Chant on Morten Lauridsen’s O Magnum Mysterium was recently featured in IFCM’s International Choral Bulletin. A fragment of his article is quoted below.
“Morten Lauridsen is one of the most frequently performed living composers. His works span a number of disciplines and influences, including trumpet concertos, orchestral works, and chamber works. His most influential works, however, are undoubtedly his choral pieces. His choral works are based on sacred and secular texts alike, and each of them carries influence from the era in which the texts are written. His most purchased and most performed work is his setting of the O Magnum Mysterium text.
He wrote the O Magnum Mysterium setting as a commission from the Los Angeles Master Chorale in 1994. The now deceased director of the chorale at the time, Paul Salamunovich, according to Lauridsen, was “one of the great practitioners of Gregorian chant”, 4 and consequently, Lauridsen decided to “use the conjunct melodic ideas of chant as a base” in his setting. These influences included the use of Greek voice leading rules, the use of a “keynote,” and nods to melismatic text setting.”
The International Federation for Choral Music (IFCM) is an international association founded in 1982 to facilitate communication and exchange between choral musicians throughout the world. IFCM has around 900 members from all continents. The members are individuals, choirs, organizations, or companies. Through the organizations and choirs IFCM plays a role in choral music and choral events in the world.
O’Dell (b.1992) is currently pursuing his MM in Composition at Bowling Green State University in Ohio, studying with Dr. Chris Dietz, and working as a theory teaching assistant. He recently graduated with a BA in Music from Clarke University in Dubuque, IA, where he studied composition with Dr. Amy Dunker, and piano with Nancy Lease and Dr. Sharon Jensen. His research interests include Biomusicology and the study of older styles on modern composition, including Sacred Harp. He has won awards from the Kennedy Center and Make Music Inc. His works have been performed across the United States, Brazil, and the United Kingdom. He is a member of ASCAP and SCI, and is a licensed PARMA artist.