BGSU’s Early Music Ensemble, under the direction of Dr. Arne Spohr, has been selected by Early Music America to perform at Early Music America’s Young Performers Festival in Berkeley, CA. This nationally recognized festival will be featuring top university early music ensembles from around the United States, including groups from Indiana University, University of Southern California, Case Western Reserve University, and Brigham Young University Idaho. All performances will take place at St. Mark’s Episcopal Church from June 8th – 10th as part of the Berkeley Music Festival.
From The Sentinel Tribune:
” From physical brawls with his elementary school peers to battling poverty, heartbreak and other composers in worldwide music competitions, DePue has faced it all in his 83 years.
More often than not, he triumphs.
“I’ve had this philosophy since I was young that I caught from my mother. You always have to keep moving, get ahead and think about what you can accomplish next,” he said.
The Bowling Green State University professor emeritus has an impressive list of accomplishments, most recently winning an honorable mention for his opera, “The True Story of the Three Little Pigs,” from The American Prize.
Last year, he won the Gold Medal award from the Boston Metro Opera for his barbershop opera “Something Special,” beating out 625 works submitted by composers from six continents.
“I almost fell off my chair when I saw the results,” DePue said.
But DePue might never have become the composer he is today if not for his scrappy childhood tendencies.
“I was smaller than most of the boys I fought with, but I could fight. That’s not surprising, given my father was a fight trainer and I was an amateur boxer as a teenager,” he said. “I was a fast gun. I usually had a black eye or a cut somewhere and never looked quite healthy. But I stood up to those who tried to take away my pride.”
Read full article here.
Bowling Green State University will be well represented at the 2016 New Music Gathering held at the Peabody Conservatory. The following list includes those from BGSU performing and lecturing during this highly acclaimed new music conference:
- Alumnus Ryan Muncy, part of panels: “Commissioning New Music”, and “New Music and Community Building”
- Faculty member Ryan Ebright, part of panel: “New Music(ology) Gathering: Scholarly Perspectives on American New Music Since 1960”
- Current DMA student Aaron Hynds: performance, 60 minute lecture/demo/question workshop
- Current DMA student Hillary LaBonte: panel, “The Church of New Music: Places of Worship and the New Music Community”
- Alumnae Viola Yip and Ellery Trafford: performance, “Instrumentalists Using the Voice”
BGSU students, faculty, and alumnae will participate in this interdisciplinary event taking place January 6-9, 2016.
From the mission statement of New Music Gathering:
“Even in a culture that thrives on connectivity, the ancient idea of simply being in the same place at the same time to exchange ideas continues to be the most effective, and New Music Gathering fills that need.
Following the conference model, the event will be three days of performances, presentations, and discussions, but as it is to be run not by an organization but by four working musicians – Lainie Fefferman, Daniel Felsenfeld, Mary Kouyoumdjian, and Matt Marks – it should be a way to “skip the middleman” and focus on the needs and desires of the community directly.
As it is to be based in a different city annually, aside from bringing together those who write, perform and promote “contemporary classical” music to meet, talk, and develop collaborative relationships, the Gathering will also focus on the dedicated population in that specific region.”
The Board of Directors of the Fromm Music Foundation at Harvard University is pleased to announce the names of fourteen composers selected to receive 2015 Fromm commissions. These commissions represent one of the principal ways that the Fromm Music Foundation seeks to strengthen composition and to bring contemporary concert music closer to the public. In addition to the commissioning fee, a subsidy is available for the ensemble performing the premiere of the commissioned work.
Among the fourteen recipients is local composer Mikel Kuehn, a resident of Sylvania, Ohio, and faculty at Bowling Green State University.
Founded by the patron of contemporary music, the late Paul Fromm, the Fromm Foundation is now in its sixtieth year, having been located at Harvard University for the past forty. Since the 1950s, it has commissioned well over 300 new compositions and their performances, and has sponsored hundreds of new music concerts and concert series.
San Francisco Classical Voice—
“David Conte doesn’t look like a sexagenarian, even though his seventh decade will begin on Dec. 20 and he’ll be publicly celebrating it with a Birthday Concert on Nov. 1 at the San Francisco Conservatory of Music, where he chairs the Composition Department.
Young at heart as he manifestly remains, Conte has credentialed connections to the past. He spent several years as one of the last students of the legendary Nadia Boulanger and then spent scholarly and personal time with Aaron Copland, who’d been a pupil of Boulanger a half-century earlier. Conte secured academic degrees from Bowling Green State University and Cornell University, before joining SFCM in 1985. He’s composed extensively for chorus, as well as for solo voice, opera, chamber ensemble, orchestra, and solo instruments. SFCV shared a lunch with him near his Corona Heights home before he took a sentimental journey to his original hometown of Cleveland.”
BOWLING GREEN, OH— Orchestral compositions written by Bowling Green State University College of Musical Arts students will be read, rehearsed and recorded by Toledo Symphony Orchestra (TSO) musicians on Tuesday, Nov. 10, from 3:30-6 p.m. in BGSU’s Kobacker Hall. Michael Lewanski, a prominent figure on the international contemporary music scene, will lead the orchestra while acclaimed composer, conductor author and educator Samuel Adler will be present to observe the session and give comments in an evening masterclass.
After a review of the submitted scores, the following works were selected for the session:
– Richard Arndorfer Aurora
– Andrew Binder Endleofan
– Emily Custer Seelenruhe
– Matthew Ramage Mutability
– Jacob Sandridge I-77
The TSO will be bringing its largest complement of players to BGSU, 72 musicians in all. “Few academic institutions can offer this kind of professional experience, making this a unique opportunity for BGSU students,” said Christopher Dietz, a faculty member in musicology, composition and theory and organizer of the session.
The event is open to students, faculty and staff of the BGSU College of Musical Arts and invited guests. Members of the public who would like to attend should email faculty liaison Christopher Dietz (firstname.lastname@example.org) to be included on the guest list.