BGSU’s Early Music Ensemble, under the direction of Dr. Arne Spohr, has been selected by Early Music America to perform at Early Music America’s Young Performers Festival in Berkeley, CA. This nationally recognized festival will be featuring top university early music ensembles from around the United States, including groups from Indiana University, University of Southern California, Case Western Reserve University, and Brigham Young University Idaho. All performances will take place at St. Mark’s Episcopal Church from June 8th – 10th as part of the Berkeley Music Festival.
Bowling Green State University will be well represented at the 2016 New Music Gathering held at the Peabody Conservatory. The following list includes those from BGSU performing and lecturing during this highly acclaimed new music conference:
- Alumnus Ryan Muncy, part of panels: “Commissioning New Music”, and “New Music and Community Building”
- Faculty member Ryan Ebright, part of panel: “New Music(ology) Gathering: Scholarly Perspectives on American New Music Since 1960”
- Current DMA student Aaron Hynds: performance, 60 minute lecture/demo/question workshop
- Current DMA student Hillary LaBonte: panel, “The Church of New Music: Places of Worship and the New Music Community”
- Alumnae Viola Yip and Ellery Trafford: performance, “Instrumentalists Using the Voice”
BGSU students, faculty, and alumnae will participate in this interdisciplinary event taking place January 6-9, 2016.
From the mission statement of New Music Gathering:
“Even in a culture that thrives on connectivity, the ancient idea of simply being in the same place at the same time to exchange ideas continues to be the most effective, and New Music Gathering fills that need.
Following the conference model, the event will be three days of performances, presentations, and discussions, but as it is to be run not by an organization but by four working musicians – Lainie Fefferman, Daniel Felsenfeld, Mary Kouyoumdjian, and Matt Marks – it should be a way to “skip the middleman” and focus on the needs and desires of the community directly.
As it is to be based in a different city annually, aside from bringing together those who write, perform and promote “contemporary classical” music to meet, talk, and develop collaborative relationships, the Gathering will also focus on the dedicated population in that specific region.”
The Board of Directors of the Fromm Music Foundation at Harvard University is pleased to announce the names of fourteen composers selected to receive 2015 Fromm commissions. These commissions represent one of the principal ways that the Fromm Music Foundation seeks to strengthen composition and to bring contemporary concert music closer to the public. In addition to the commissioning fee, a subsidy is available for the ensemble performing the premiere of the commissioned work.
Among the fourteen recipients is local composer Mikel Kuehn, a resident of Sylvania, Ohio, and faculty at Bowling Green State University.
Founded by the patron of contemporary music, the late Paul Fromm, the Fromm Foundation is now in its sixtieth year, having been located at Harvard University for the past forty. Since the 1950s, it has commissioned well over 300 new compositions and their performances, and has sponsored hundreds of new music concerts and concert series.
BOWLING GREEN, OH— Orchestral compositions written by Bowling Green State University College of Musical Arts students will be read, rehearsed and recorded by Toledo Symphony Orchestra (TSO) musicians on Tuesday, Nov. 10, from 3:30-6 p.m. in BGSU’s Kobacker Hall. Michael Lewanski, a prominent figure on the international contemporary music scene, will lead the orchestra while acclaimed composer, conductor author and educator Samuel Adler will be present to observe the session and give comments in an evening masterclass.
After a review of the submitted scores, the following works were selected for the session:
– Richard Arndorfer Aurora
– Andrew Binder Endleofan
– Emily Custer Seelenruhe
– Matthew Ramage Mutability
– Jacob Sandridge I-77
The TSO will be bringing its largest complement of players to BGSU, 72 musicians in all. “Few academic institutions can offer this kind of professional experience, making this a unique opportunity for BGSU students,” said Christopher Dietz, a faculty member in musicology, composition and theory and organizer of the session.
The event is open to students, faculty and staff of the BGSU College of Musical Arts and invited guests. Members of the public who would like to attend should email faculty liaison Christopher Dietz (firstname.lastname@example.org) to be included on the guest list.
Alumnus D. J. Hoek has been appointed Associate University Librarian for Collections Strategies at Northwestern University. After serving over ten years as Head of the Northwestern Music Library, he will now be in charge of all library collections and will align the library’s collection with university priorities and goals. He received Master of Music degrees in both composition and music theory from BGSU in 1996 and a Master of Library Science degree from Indiana University in 1998.
The 2015-16 Klingler ElectroAcoustic Residency (KEAR) congratulates and welcomes its 2015-16 recipients who will work on creative projects in the multi-channel/Ambisonic studio at Bowling Green State University (Ohio USA) during this academic year:
James Andean (Finland) – Fall 2015
Louise Harris (UK) – Spring 2016
The competition received 23 applications from 11 countries including the US, Canada, UK, Argentina, Brazil, Finland, France, Greece, Hungary, Italy, and Spain. The quality of submissions was very high and the creative and technical ideas inspiring. We thank everyone who proposed so many great projects and wish we could accept them all.
Many thanks to the jury who carefully reviewed all applications:
Adam Basanta – independent sound artist/composer and 2013 KEAR recipient
Manuella Blackburn – Liverpool Hope University, UK
Judith Shatin – University of Virginia, USA
Stay tuned for news about the 2016-17 KEAR opportunity, which will be announced in early 2016. We welcome all applicants who want to explore multi-channel, live performance, and/or Ambisonic projects.