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Class of 2014 Success Stories: When Reality Strikes

Kimberly Lewis

Music major overcomes setbacks to achieve high goals

By Liz Gladieux

 

Her lifelong dreams revolved around music. She sat first chair flute in the top band at Ohio’s Stow-Monroe Falls High School and she was accepted into BGSU’s nationally recognized College of Music to study music education. Kimberly Lewis thought she was right on track to achieve her goals.

“All I ever wanted to do with my life was to be a musician and help others through music,” said Lewis. “From the time I can remember, music was a main focus in my life. I couldn’t imagine myself having a profession that did not involve music.”

During her freshman year at BGSU, reality hit Lewis hard. “I wasn’t seated in the top band, Wind Symphony. I wasn’t seated in Concert Band, the second tier band,” said Lewis.  “I was seated in University band, a non-audition based band. I was the lowest ranked flute major at BGSU!”

This placement was a huge blow to Lewis and it made her question where she was headed and what she should do. “This placement was a real reality check for me,” she said.

Lewis looked inward and realized she was suffering from performance anxiety and self-doubt. “I realized I would have to work hard to get better in order to do what I wanted.”

She decided to find out more about performance anxiety and how to conquer it. As part of her Honors program, she worked with Dr. Conor Nelson, assistant professor of flute, and Dr. Kenneth Thompson, chair of music education, to research the subject. She also attended a summer festival and workshop focused on performance anxiety and carried out extensive research.

“This project made me realize I wasn’t alone and that I was in control.  It was up to me to change my reactions to the anxiety,” she said.

The change did not happen overnight. “It wasn’t until I made the finals of the BGSU Concerto Competition during my junior year that I began believing in myself. I didn’t think I was good enough, but I kept trying. No one was more surprised than me when I made the finals! It was in my junior year that I really began enjoying the experience of performaing,” said Lewis.

Overcoming performance anxiety was just the first step for Lewis. During one of her flute lessons with Nelson, he asked if she had considered being a performance major. Initially surprised at the suggestion, it propelled Lewis into an even more focused drive for success in music. “I realized that the music world is big and full of many different ways to share music.”

Three years later, Lewis has achieved her goals. She will end her BGSU career as second chair flute in the Wind Symphony and will be graduating Dec. 19 with a double major in music education and music performance.

Lewis gives credit for much of her success to Nelson. “He saw things in me I didn’t see or believe I had. I didn’t have enough confidence and he helped to instill that in me. I don’t know if I could have done it without Dr. Nelson.”

Nelson has nothing but praise for Lewis. “Majoring in both music education and performance is not for the weak of heart. It is a track that only someone with her exquisite time-management skills, talent and broad interests could possibly manage. We are so proud of her. Kim matured exponentially as a musician and flutist during her time at BGSU.

“Musically, her developments were of epic proportion; in many respects, I have never seen anyone improve so quickly. She now plays with a sound that belies her years and with an excitement for music that is apparent to all. In tandem with her somewhat shocking musical developments, she also grew as a person, overcoming any obstacle in her way,” noted Dr. Nelson.  “Kim is a true star. I feel that she could do anything she puts her mind to and I know that she will make the CMA proud.”

Other faculty with whom she worked also noticed Lewis’ abilities. “Kim came to BGSU with a great deal of talent, but with limited experience. She is a perfect example of what a student can achieve if they apply themselves to focused worked and diligent study,” said Thompson. “She performed in our third tier ensembles as a freshman, and in four short years advanced to the very top of our undergraduate class, performing in top level ensembles and being recognized as a finalist in our concerto competition. She is an excellent young musician and teacher.”

Lewis will pursue her master’s degree in music and then see what happens next.

“I would like to teach flute on a collegiate level, but if it doesn’t happen, that’s okay,” mused Lewis. “It doesn’t matter what level I teach. What matters is that I will be teaching and helping others to have a great musical experience and sharing my music with as many people as possible.  There are so many paths and options ahead of me.”

DMA Pianist Michiko Saiki wins 1st Prize in the Without Words Film Festival

Michiko Saiki

Second-year DMA pianist Michiko Saiki was awarded 1st Prize in the Without Words Film Festival for her work, “a, i, u, e, o.”

The film was one of 263 entries submitted under the theme Digital Superimpositions. The competition was held at the University of Lorraine, Ile du Saulcy, in Metz, France and was judged by experts from France, Malaysia, Spain and the USA. Ms. Saiki’s work was created to remind people of the tragic aftermath of the 2011 Tohoku earthquake in her native country Japan. Ms. Saiki has studied with Drs. Tom Rosenkranz and Laura Melton.

Higdon ’86 to receive honorary doctorate

Higdon-and-Beau

BOWLING GREEN, O.—Two BGSU alumnae who have had influential careers will receive honorary doctorates from the University during fall commencement ceremonies. The board of trustees approved the degrees at the Dec. 5 meeting.

Pulitzer Prize-winner Jennifer Higdon ’86 is one of America’s most acclaimed and most frequently performed living composers. She has become a major figure in contemporary classical music, with commissions in the orchestral, chamber, choral, vocal, and wind ensemble genres.

She holds doctoral and master’s degrees in music composition from the University of Pennsylvania, a bachelor’s degree in flute performance from BGSU, and an Artist Diploma in music composition from the Curtis Institute of Music in Philadelphia, where she now holds the Milton L. Rock Chair in Composition Studies.

Her Percussion Concerto won the Grammy for Best Contemporary Classical Composition in January 2010. Higdon also received the 2010 Pulitzer Prize in Music for her Violin Concerto.

She has received awards from the Guggenheim Foundation, the American Academy of Arts and Letters (two awards), the Koussevitzky Foundation, the Pew Fellowship in the Arts, Meet-the-Composer, the National Endowment for the Arts, and ASCAP.

Most recently, Higdon has written an opera commissioned by Santa Fe Opera, Opera Philadelphia, and Minnesota Opera, based on the National Book Award winner “Cold Mountain,” by Charles Frazier. It will be premiered in Santa Fe on August 1, 2015.

Higdon and television executive Eileen O’Neill ’90 will give the commencement addresses, Higdon on Dec. 19 and O’Neill on Dec. 20. Both were named among BGSU’s 100 most prominent alumni during the University’s 2010 centennial celebration.

From cellist to country rock

Jonathan Kampfe ’05 tours the country with The Phillip Fox Band

Jonathan Kampfe ’05 used to picture himself as a professional cellist playing in ensembles — a career classical musician.

He trained for years to fulfill this dream, attending BGSU on a music scholarship and earning a bachelor’s degree in cello performance from the College of Musical Arts in 2005.

Then, an offer from an old friend changed everything, and Kampfe found himself playing music not in  symphony halls, but in stadiums, rock clubs and country western saloons.

Today, the one-time classical cellist is the bassist for the Columbus-based country-rock quartet, the Phillip Fox Band. Kampfe will return to Bowling Green on Saturday, when his band plays a 9 p.m. show on Saturday, Dec. 6 at Grumpy Dave’s Pub, 104 S. Main St.

The band is currently touring to promote its first full-length album, Heartland.

The Phillip Fox Band is a full-time gig for all of its members, Kampfe said. They don’t work side jobs and make the band their sole career focus, playing about 200 shows in 2014.

“At some point, you have to take that leap of faith,” Kampfe said. “I think one thing that helped me from the get-go was knowing there was no plan B. We all knew we wouldn’t be making money for awhile, but that just pushed us harder to make it work.”

Although the Phillip Fox Band is more popular than ever now, Kampfe struggled after graduating from BGSU to find his purpose.

“For a change of scenery, I moved to Virginia and started working for a company that did window treatments,” he said. “I did some music gigs on the side, but it didn’t take long before I knew this was not what I should be doing.”

Kampfe’s life and career took a new direction when he reconnected with a friend from the Toledo area, fellow musician Phillip Fox.

Fox told Kampfe he was looking for a bass player for a new band.

Unsure whether this was the right move for his music career, Kampfe reached out to his former BGSU professor and mentor, Dr. Alan Smith, for advice.

“I wanted to get his reaction, because he was my cello teacher, and I wasn’t sure he would take it well,” Kampfe said. “To my surprise, he told me, ‘Go for it.’”

Kampfe accepted Fox’s offer and moved to Columbus. By March 2011, Fox and Kampfe had been joined by guitarist David Morckel and drummer Austin Nill.

While the band produced the album Heartland without the support of a record label, its fans helped offset recording studio costs by raising $18,000 via the popular crowd-funding website Kickstarter.com. In return, the band took fans’ input on what songs they should include on the album.

Although they have built their biggest fan base in Ohio, the Phillip Fox Band performed last month in Houston at the APCA South Central Regional Showcase. The showcase allows entertainers to connect with university event planners to book campus appearances.

While he prefers to tour for a week or two, rather than for months at a time (he and his wife welcomed a baby boy six months ago), Kampfe hopes doors will continue to open for the band.

“We do hope for that national exposure, but the main goal is to continue to do what we love to do, and to keep finding creative ways to do it,” he said. “I think we have a bright future ahead of us.”

 

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