Category Archives: student news

Sunny Boys Quartet shines at international competition

Sunny Boys

BOWLING GREEN, O.—Bowling Green State University continued its longstanding tradition of excellence in vocal performance this July when The Sunny Boys placed second in the collegiate quartet division at the Barbershop Harmony Society’s International Convention in Toronto, Canada — despite the far-flung group members’ having had to rehearse together largely online, through Skype.

The annual competition draws over 10,000 present barbershop singers, many of whom are choral directors from around the world. In addition, thousands of others watch the competition through online streaming.

BGSU student Nicholas Gordon helped form the quartet with bassist Christian Diaz, tenor Edward Mejia, and lead Alberto Rico.

Sunny Boys’ coach Douglas Wayland, an assistant professor of voice in music performance studies, has coached other winning groups, including BGSU’s 2011 first-prize winning quartet, Prestige, of which Gordon was also a member. Wayland received the 2012-13 Distinguished Faculty Award, and has helped promote appreciation of barbershop quartets.

For a quartet to compete at the international level, it must get through the difficult preliminary qualifier round, which is held in dozens of districts throughout the U.S. and in other participating countries. Although barbershop singing began as an American genre, it has become international. Winners have come from Sweden, Canada and New Zealand. Quartets are scored based on three categories: singing, musical, and performance.

The only member from BGSU, Gordon met Diaz while working and singing together in Disney World, Fla., last winter. Diaz knew the other two men from previous singing experiences. Before long, the quartet read different pieces and saw potential.

According to Wayland, one of the key ingredients of putting a successful quartet together is having four exceptional voices that can blend well.

“Our blend was so promising that we decided to stay together and compete,” Gordon said.

Despite their talent and musical rapport, The Sunny Boys faced obstacles in their rehearsals. With the members living in different states, the only solution they found to rehearsing was through Skype. They were only able to rehearse in person a few days prior to the competition, with the help and direction of Wayland.

Luckily, all four men had extensive barbershop experience. The three non-BGSU members had been in a quartet called “Spanglish” that received third place in the collegiate division in 2010. Wayland was confident the quartet had prepared adequately.

“When you work with students who come with that kind of experience and preparation, you only have to tweak and make suggestions to fix minor problems — just like a conductor who works with an orchestra that is already musically prepared,” he said.

The Sunny Boys won the most points in the singing category and only lost 30 out of a possible 1,800 points.

Gordon spoke fondly of the support Wayland has shown him through the years. “Doug has been there for every single one of my competitions. He’s traveled to California, Missouri, Pennsylvania, Florida and now Toronto in order to support me,“ Gordon said, “He realized early on that I had a deep passion for barbershop singing and he’s helped me sing it in the healthiest way possible.

“We had no idea what the outcome would be, and we couldn’t be more proud of our accomplishment. Barbershopping has taken me to so many places I never could’ve imagined.”

The group was also fortunate to receive financial support from Pro Musica, a Bowling Green organization that helps student musicians travel to outside performances and conferences.

“With the incredible support of Pro Musica, I have been able to keep barbershop in my life and it has helped me grow exponentially, not only as a musician, but as a human being,” Gordon said.

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Series tickets on sale for Festival Series

BOWLING GREEN, O.—The College of Musical Arts at Bowling Green State University invites the community to “Experience the Top” during the 2013-14 Festival Series. Highlighting performances in a variety of categories, the series features artists who are rising to the top. Series tickets are available now online at the BGSU box office.

The series begins on Sept. 28 in Kobacker Hall, where guests can listen to outstanding young musicians at a live taping of the popular National Public Radio show “From the Top,” hosted by acclaimed pianist Christopher O’Riley, who also performed as a soloist in the 2012 BGSU Festival Series.

What began as a radio experiment in 2000 quickly became one of the fastest growing and most popular weekly classical music programs on public radio. Broadcast on nearly 250 stations nationwide to an audience of more than 700,000 listeners each week, “From the Top” celebrates the performances and stories of America’s best pre-college classical musicians.

“‘From the Top’ gives young musicians the stage but lets them act their age. It’s serious music but classically kids,” said The New York Times.

Continuing the series, guests will experience an extravaganza of BGSU’s top artistic talent on Dec. 6 at a special holiday concert that will be part of the annual ArtsX event. In the first ever such large-scale collaboration, the College of Musical Arts, the School of Art, and the departments of theater and film, creative writing, and dance will present an artistic showcase themed “Wonderland.” The concert will include ensembles from the University and community, as well as readings, performances and artistic expressions celebrating the season from students and faculty in theater, film, dance and fine art. This is a holiday event that encompasses all the talents among the arts at BGSU, and will be an evening for all ages.

In the spring of 2014, Festival Series will welcome one of today’s top pianists, Jeremy Denk, performing on Feb. 15. “Mr. Denk, clearly, is a pianist you want to hear no matter what he performs, in whatever combination – both for his penetrating intellectual engagement with the music and for the generosity of his playing,” said the New York Times.

An American pianist with an international reach, Denk has steadily built a reputation as an unusual and compelling artist, with a broad and thought-provoking repertoire. He has appeared as soloist with many major orchestras in the United States and around the world. But beyond that, Denk is also known for his witty and personal music writing, which has appeared in The New Yorker and Newsweek, on the front page of the New York Times Book Review, on the NPR Music website and in his widely read blog.

The Festival Series concludes April 5, 2014, on a comic note with the renowned Improvised Shakespeare Company (ISC). Based on an audience suggestion, the company creates a fully improvised play in Elizabethan style. Each of the players has brushed up on his “thee’s” and “thou’s” to produce evening of off-the-cuff comedy using the language and themes of William Shakespeare. Any hour could be filled with power struggles, star-crossed lovers, sprites, kings, queens, rhyming couplets, insults, persons in disguise and all that we’ve come to expect from the pen of the Great Bard. The night could reveal a tragedy, comedy, or history. Nothing is planned out, rehearsed, or written. Each play is completely improvised, so each play is entirely new.

The Improvised Shakespeare Company, founded in 2005, has been performing its critically acclaimed show every Friday night at the world-famous iO Theater in Chicago and entertains audiences around the globe. It has been named Chicago’s best improvisation group by both the Chicago Reader and the Chicago Examiner and has received a New York Nightlife Award for “Best Comedic Performance by a Group.”

The Festival Series is one of the oldest running performance series at BGSU, and is made possible by the support of the community. Series tickets range from $58-$147 and are available online, or by calling the Arts Box Office at 419-372-8171. Individual event tickets will be available in August. Visit the Arts Box Office website for specific ticket prices and event times.

A Cappella Choir Spring Tour

Sunday, May 5

11:00 a.m. – Church Service at First United Methodist Church, Bowling Green, OH

1506 East Wooster

Bowling Green, OH 43402

 

7:00 p.m. – Evening Concert at Bay United Methodist Church, Bay Village, OH

29931 Lake Rd

Bay Village, OH  44140

 

Monday, May 6

 

11:00 a.m. – Performance at Manchester Presbyterian Lodge, Erie, PA

6351 West Lake Road

Erie, PA 16505

 

7:00 p.m. – Evening Concert at Unitarian Universalist Church of Buffalo

695 Elmwood Ave.

Buffalo, NY 14222

 

Wednesday, May 8

 

7:30 p.m. – Evening Concert at Knox Presbyterian Church, Waterloo, ON

50 Erb Street West

Waterloo, Ontario, N2L 1T1

BGSU issues call for young musician applicants for “From the Top”

BOWLING GREEN, O.—Accomplished young classical musicians from northwest Ohio are invited to audition for a chance to appear on National Public Radio’s popular program “From the Top.” Bowling Green State University’s College of Musical Arts will host a live taping of the preeminent showcase for young musicians, to be recorded at the Moore Musical Arts Center Sept. 28. The event will lead off the college’s 2013-14 Festival Series.

Hosted by pianist Christopher O’Riley, the show is heard locally Sundays on WGTE-FM and features the performances and personal stories of extraordinary young classical musicians from across the country.

Regional musicians can submit an application and recording by mail. Applications can be downloaded at www.fromthetop.org and are due by June 28 to be considered for the BGSU taping.

Classical musicians ages 8-18 who have not yet graduated from high school are eligible for the program. Young performers can audition as soloists (including vocalists), instrumental or vocal ensembles, or as composers who have a piece they wish to have performed. While the show focuses mostly on classical repertoire, from time to time it will feature other genres, especially if the piece connects with the heritage of the regional taping.

There is a $50 application fee which can be paid online or by check. The fee is waived for students with financial need who are also applying for the show’s Jack Kent Cooke Young Artist Award scholarship.

In addition to being a radio program, From the Top is an independent, Boston-based nonprofit. Each year, it partners with the Cooke Foundation to award about 20 scholarships of up to $10,000 to pre-collegiate classical musicians who appear on the show. Students must demonstrate high levels of artistic achievement as well as financial need to be eligible for the award. Interested applicants apply for the scholarship in tandem with their application to appear on the radio program. More information about the Jack Kent Cooke Young Artist Award can be found on the “From the Top” website.

What began as a radio experiment in 2000 quickly became one of the fastest growing and most popular weekly classical music programs on public radio. Broadcast on nearly 250 stations nationwide to an audience of nearly 700,000 listeners each week, “From the Top” has been described by the Boston Globe as “an entertaining, accessible and inspirational mix of outstanding musical performances, informal interviews, skits and games; the show is a celebration of extraordinary musicians who happen to be teenagers leading fairly normal lives.”

Annually, the program’s live tapings reach more than 20,000 audience members of all ages. In conjunction with its national tour, From the Top offers leadership training to young artists and conducts classroom and community programs leveraging the power of its performers as role models for younger students. Through the Jack Kent Cooke Foundation, the program has invested more than $1.6 million in support of pre-college students since 2005. Learn more at www.fromthetop.org.

The Sound of Music

 By Elizabeth Cope

A broken reed or sticky keys are the variables most saxophonists face during live performance.

But living with hearing loss has prepared music education major Jacob Kopcienski to overcome to a wider range of variables during his own performances: even the batteries going dead in his hearing aids. The disability hasn’t stopped him from collecting awards as a top student in the BGSU College of Musical Arts.

Diagnosed at age four with moderate-severe hearing loss, Kopcienski has focused on finding solutions rather than on his obstacles. He says the key is to face limitations, accept them and adapt, and that includes developing coping strategies and problem solving skills in order to achieve goals.

“For me, hearing is not a constant thing, he said. “Yes, it’s a deficiency and it’s challenging, but I have so much control over it that I don’t even notice it. It’s something I don’t even think about. Most people go through their lives only hearing one way, and not noticing a change in their hearing, but for me, mine can change throughout the day.”

One of his adaptations is to have different programs for his hearing aides – one for direct conversation, one for general circumstances, and one for performing. Educators across the college agree, Kopcienski has never asked for special treatment or consideration. He just keeps smiling and pressing while encouraging others as he goes.

Kopcienski’s accomplishments during his four years at BGSU are impressive by any measure, but he resists viewing his success against the backdrop of his impairment.

“Jacob’s hearing is a very minor issue in his working life,” said Elaine Colprit, chair of the Department of Music Education. “He has never been defined by his disability. If Jacob didn’t tell you, you’d never know, and it certainly has not prevented him from being one of our top students.”

Along with being a top student, Kopcienski has been honored with the Music Presser Award, won BGSU Competitions in Music Performance in 2011, and has performed in prestigious university ensembles, including the Borealis Saxophone Quartet, and was a first place winner of the BGSU Chamber Music Competition in 2010. He is also a student teacher with the band program at Perrysburg High School.

He hopes to study next year in France with the world-famous saxophonist Jean-Michel Goury, a member of the prominent XASAX Quartet and is a faculty member at the Conservatoire National de Musique de Boulogne-Billancourt in Paris.

That sounds like sweet music.

(Posted April 29, 2013 )

Prof. Broman and graduate students present at NYU’s Steinhardt School of Culture, Education, and Human Development

Per F. Broman, Associate Professor of Music Theory, along with three graduate students, musicologist Jane Hines, composers Michael Kasinger and Carter Rice, will present research papers at the Music and Moving Image conference at New York University’s Steinhardt School of Culture, Education, and Human Development, May 31-June 2.

Hines’s “The Enchanted Concerto: World War II, Propaganda, and Musemes” analyses the use of the Hubert Bath’s composition Cornish Rhapsody in  John Cromwell’s film The Enchanted Cottage (1945);  Rice’s “Thematic Textures in Christopher Nolan’s Batman Films” shows the transformation of traditional Leitmotifs from the early Batman (1989) to The Dark Knight (2008); Kasinger’s “Sleight of Ear: The Use of the Unexpected in Film Scores” illustrates how carefully selected music acts a barrier between the audience and the cinematic events, controlling the emotional and intellectual response, by using Joel and Ethan Coen’ Burn After Reading (2008) and Zack Snyder’s Sucker Punch (2011) as case studies; Broman’s “Mute the Bereaved Memories Speak: A Pasolinian Requiem” traces the close intertextual musical relationship between the Sven-David Sandström’s Requiem (1979) and Pier Paolo Pasolini’s Salò (1975), which provides important keys to understanding the requiem.