Category Archives: student news

Magic Deuce Duo to Premiere New Work

Magic Deuce Duo

Eric Salazar and Caitlin Phillips of the Magic Deuce flute and clarinet duo have commissioned a new piece of music from Chelsea Komschlies, composer and graphic artist of the Colorado based Pendulum New Music Ensemble. Salazar and Phillips were exposed to Komschlies’ music at the 2014 Fresh Inc Festival. The Magic Deuce were both so taken with Komschlies flute-clarinet duo entitled “Steam” that the duo decided to ask the composer to write them a new piece of music. The new piece entitled “Book of Spells” is to be premiered this November. Komschlies’ new work is an interdisciplinary adventure containing both sound art and visual art created by the composer. Graphic artwork will be displayed on a projector as the Magic Deuce performs the music. In addition to “Book of Spells” the duo will be performing works by Muczynski, Osmun, Liang, and Villa-Lobos.

Magic Deuce can be found on their Facebook page or contacted at themagicdeuce@gmail.com.

Student Recital: Caitlin Philips, flute & Eric Salazar, clarinet

November 16, 2014 | 6 p.m. | Bryan Recital Hall

More information on the ensemble and the piece:

 

Chelsea Komschlies, composer

Komschlies writes about the piece: “Book of Spells” is a whimsical piece in which each movement represents its own imaginary spell. The music is dark and mysterious at times, sprightly and bubbling at others, while keeping an overall lighthearted fairytale mood.

Appraisal for the Magic Deuce:

“The Magic Deuce have an infectious personality that is projected through their relaxing stage presence and cohesiveness as a duet. The audience can experience the strong friendship between “the deuce” simply by viewing a live performance. This must be where the magic came from.” -Eric Heidbreder, Fifth House Ensemble

“Eric Salazar and Caitlin Phillips of The Magic Deuce are adventurous interpreters and fearless performers. They perform with conviction, and are dedicated to broadening the repertoire for their unique instrumentation.” -Melissa Snoza, Executive Director: Fifth House Ensemble, Adjunct Professor of Flute: Carthage College, Professor of Performing Arts Management, DePaul University

CMA announces The Hansen Music Fellowship Program

Hansen's 2014

By Terri Carroll

To attract the brightest students, universities traditionally offer the best scholarships. But when it comes to convincing top music students to choose BGSU over, say, Julliard or Indiana University, even the most generous academic and music scholarships are no longer enough.

Dr. DuWayne and Dorothy ’62, ’69 Hansen hope their initiative for the most talented music students will be too good to refuse.

“We wanted to figure out what more we could do to make BGSU the most attractive choice for talented students to consider.”With the newly launched Hansen Music Fellowship Program, the best students will receive funding for beyond-the-classroom musical experiences and education. Students can tailor their fellowship experience to include activities that are best suited to their needs and career aspirations, from attending summer camps, conferences and festivals to recording, seeking new performing opportunities or touring.

“A scholarship only goes so far,” DuWayne said. “We wanted to figure out what more we could do to make BGSU the most attractive choice for talented students to consider.”

The Akron couple, who both have strong ties to BGSU’s College of Musical Arts, decided that giving the University a truly competitive edge would require funding a set of professional musical experiences for students above and beyond the typical scholarship.

The Hansen Fellowship can help students stand out from their peers by enabling them to participate in activities that will become an asset for them in today’s highly competitive job market.

The Hansens believe a music fellowship that allows students to pursue professional development in addition to their BGSU studies will be advantageous not only for the fellows themselves, but also for their peers and the music faculty.

“They can benefit enormously from a summer spent at the Chicago Symphony or the Cleveland Orchestra — it can open their eyes in a marvelous way,” DuWayne said. “They come back with so many new ideas.”

Back in the classroom and residence halls, fellows can share what they’ve learned from those experiences and serve as examples for other students of how broad the scope of a musical education can be, the Hansens said.

“We hope having these model students interacting with other students will help raise the bar for everyone around them,” Dorothy said.

The Hansens, who met at BGSU more than 50 years ago, are longtime supporters of the University’s music programs. Dorothy is a two-time alumna of the College of Musical Arts and DuWayne is a former chair of the Department of Music Education.

The Dorothy E. and DuWayne H. Hansen Musical Arts Series has brought dozens of renowned performers to the University since 1996. Dorothy has also served on the BGSU Foundation Board of Directors.

“We feel a very strong connection to BGSU. We lived here, we raised our daughter here, we worked with so many fantastic faculty and students here,” DuWayne said. “Our goal is to help improve the music programs and the University in whatever way we can.”

Two incoming freshmen will be chosen as Hansen Fellows each year.

Fellowship applicants must demonstrate a record of exceptional musical performance and strong academic achievement, including a minimum ACT score of 26.

A committee appointed by the dean will oversee the selection process, and the Department of Music Performance Studies chair will manage the program.

Once selected, each Hansen Fellow will receive funding on a yearly basis, and will work with faculty to identify goals and determine how best to use the funds. Each fellow will be expected to maintain a grade point average of 3.5 each semester and to perform in a recital or featured concert each year they receive funding.

‘Frankenstein’ plus live music equals Halloween fun at BGSU

BOWLING GREEN, O.—Audiences will have a chance to celebrate Halloween in a uniquely scary way this year and experience the film “Frankenstein” as never before.

The Festival Series event will feature a screening of the 1931 Boris Karloff film with a new musical score played live by BGSU music faculty members. It begins at 8 p.m. Oct. 31 in the Thomas B. and Kathleen M. Donnell Theatre at the Wolfe Center for the Arts.

Cashbox Classical Music Editor Rob Tomaro said of a previous performance, “The audience was riveted to their seats. The power of the live music with the classic film was hypnotic.”

Audience members are invited to dress up in costume. There will be a costume contest, with three winners selected before the concert and awarded prizes.

Conducted by Bruce Moss, director of BGSU band activities, the “Frankenstein” musical score was composed by Michael Shapiro, music director and conductor of the Chappaqua (New York) Orchestra.

“When the Film Society of Lincoln Center opened an adjunct theater in Westchester,” Shapiro recalled, “I spoke to executive director Steve Apkon about doing a joint project during their opening season with my orchestra and the theater. During our discussion I offered to write a film score for ‘Frankenstein’ that would be played simultaneously with the 1931 film by live musicians,” he said.

The original picture has spoken dialogue, qualifying it as a “talkie,” but no musical score, Shapiro explained. The technology did not exist in 1931 to have a separate music track on the film, he said, adding that the first through-composed film score was Max Steiner’s “King Kong” in 1933.

“Writing for a ‘talkie’ with a simultaneous live score is in many ways a new art form, so it’s tremendously adaptable and exciting to do,” Shapiro said.” He also noted that live orchestral performance with film attracts a new audience to experience this hybrid medium.

“I love writing music that has a dramatic impulse,” he said. “I thought of this Frankenstein score as almost a one-act opera … but instead of writing music to move singers across a stage, I thought of moving actors through their dramatic action, commenting on what is being portrayed emotionally by (director) James Whale in his masterpiece.”

“I try to write music in every form that gets under the listener’s skin,” Shapiro said.

There is no intermission for the performance. The audience is invited to a special after party at The Melt Shoppe in downtown Bowling Green.

Tickets are $12 for the public and $5 for BGSU students and can be purchased online at bgsu.edu/arts or by calling the Arts Box Office at 419-372-8171

David Mirarchi, Freshman ’14, featured in The Scranton Times Tribune

Noted teen’s next gig: Talented college freshman, Eynon resident well on road to career as jazz saxophonist

“Back in late July, some of the region’s best jazz musicians converged at Scranton High School to bring the legendary Johnny Richards composition “Cuban Fire!” to life.

The vast majority of players in conductor Pat Marcinko Jr.’s 26-piece Upper Valley Winds Latin Jazz Orchestra had decades of accumulated chops. But there was some easy-to-spot youth in the saxophonists’ station that night, in the form of Eynon resident David Mirarchi.

Mr. Mirarchi is just 18, and only a few months out of Valley View High School. But, on that night, he played with the panache and dexterity of an old pro.”

read more on The Times-Tribune

My Summer Experience: Elizabeth and Evangeline Canfield

As the wing of the plane dipped toward the earth, I got a glimpse of the ever-enlarging scenery 16,000 feet below. Despite wispy clouds and the haze of the beating sun, I could perceive a mountainous island surrounded by a glistening sheet of Mediterranean blue.

The island, one of the world’s most tranquil vacation destinations, has been the focus of literary novels, historical inquiries and cultural events. But for my fellow traveler and myself, it was the meeting place of the Summer Piano Institute in Corfu, Greece.

Drawing musicians from around the world, inspiring pianists came to study with experienced artists in a wonderful weeklong program that featured lessons, lectures, performances and cultural excursions.

After a smooth landing, I and my traveling companion, a fellow pianist, best friend and identical twin sister Evangeline, joined the throngs of passengers entering the airport terminal. It was no small relief that we got to our destination. Not that either of us mind flying; but when a ticket agent switches your boarding passes for a connecting flight with a couple going to another country, you realize just how lucky you are to have actually reached your destination! (Incidentally, from then on we double checked all of our papers to make sure nothing like that would ever happen again!)

Immediately after passing customs, we were whisked into the arms of Greek hospitality. Thoroughly organized and equally prepared, the directors of the festival took care of transportation and boarding accommodations so that our trip proceeded without further incident. The location of the festival was entirely breathtaking! Housed within the confines of an ancient fortress, Ionian University, where the piano festival was held, bore evidences of ancient days and foreign ways.

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