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BGSU alumnus performs with Johnny Mathis on The Tonight Show Dec. 20

For 1975 BGSU alumnus Scott Lavender, his career has been a series of connections that has led to his musical success.

One of his most enduring connections was made in 1990, when Johnny Mathis’s librarian/copyist, whom he had met during a gig in the late 1970s in Wichita, Kansas, suggested Lavender audition to play with the popular music singer. He was hired, started in January 1991 and has worked with him ever since.

“It’s the best job of its kind,” Lavender said. “He (Mathis) carries four of us with him for his shows; we play all over the country, always with an orchestra.

“No one carries people around with them any more, not even Tony Bennett.” Lavender added.

And this week on Thursday night, Mathis is bringing his team along when he performs holiday tunes on The Tonight Show. It’s not the first time Lavender has been on The Tonight Show with Mathis, but he always enjoys the opportunity.

In addition to working with Mathis, Lavender has made a name for himself as a conductor in the world of symphony pops concerts. He has conducted nationally and internationally and offers pops programs to orchestras and audiences across North America.

Lavender grew up in Findlay, Ohio, in a house where music was the norm. His parents appreciated music ranging from classical to country. “If it was good music, they played it,” Lavender recalled. At the age of 7, he started playing piano, but like many children he was bored with practicing, so he gave up the piano when he was 11.

That didn’t end his musical career; instead, he joined a rock and roll band in junior high, and then discovered jazz in college at BGSU. His musical prowess caught the attention of then-musical arts faculty member David Melle, who recruited him as a sophomore to play trombone in the jazz lab band. For the next three years, while earning a bachelor’s degree in piano performance, he was in the jazz lab band performing everything from jazz to pop music.

Following graduation, he followed up on a jazz band connection that landed him at the University of North Texas in their prestigious jazz studies master’s program. He found the studies a bit confining, so instead opted to go on the road with Jesse Lopez, a buddy he met in Dallas and brother to Trini Lopez. “Three hundred dollars a week seemed like a good thing at the time,” Lavender said with a laugh.

While touring with Lopez, a job in Wichita also made a forever connection for him- it’s where he met Carolyn, his wife-to-be, in 1976. Two years later, they married and moved to L.A. in search of work with $500 in their pockets. Shortly after the move, he was contacted by another Texas connection – Marlene Ricci – who asked if he wanted to go to Las Vegas and perform, opening for Sinatra at the Palace. After one week there, he and his wife moved to Vegas, where they stayed for three years. “I worked there doing all kinds of production shows, small groups and gaining an understanding of the profession.

A Las Vegas connection then hooked him up with folk singer Glenn Yarbrough (and the Limelighters), which afforded him the opportunity to move back to L.A., where his wife could study communicative disorders, and he eventually earned a master’s in instrumental conducting.

The only time he did not have a connection for that next gig was in 1984. “I had put my name into a musician’s contact service, where anyone can pay a fee to look for available musicians.” Lavender said.

“One night I had been playing in a smoky bar and came home to a message on my machine of a guy looking for a keyboard player,” he recalled. It turned out to be Daryl Dragon of the musical duo Captain and Tennille.

He has kept in touch with people who are particularly talented, he admits, which has helped pave the way for his successful career. ‘The biggest success is lasting this long and being able to make a living in this business,” he said.

“I’ve been able to do what I love, support and family and do OK. And I’m still at it,” he said. If anyone had told 35 years ago that he would realize this kind of success, he would have been surprised.

“If I had jumped from the starting point to this, it would have been surprising, but as you go along, over the years, it’s a different perspective,” he said. “I liken it to looking at a painting up close: you only see the dots when you are up close, but when you step back and get perspective, you see the whole picture.”

Recently, they decided to get out of the big city. He and his family moved to his hometown to start a new phase of life. “I hoped at some point to have the opportunity to teach,” he said. And by chance, he was watching a BGSU basketball game when Jeffrey Showell, dean of the College of Musical Arts, introduced himself and asked if Lavender would be interested in teaching at BGSU. “It’s another case of perfect timing,” he said.

For the first time this fall, he taught a conducting course on campus, and plans to continue in the spring, as well. “The students here are so focused and take their studies so seriously,” he said. “Most of them have no idea who Johnny Mathis is, but when I told them I would be on the Tonight Show, that’s what they wanted to talk about.”

Double Reed Day

On Saturday, January 5th, 2013, Bowling Green State University’s College of Musical Arts will hold its annual Double Reed Day, hosted by Dr. Susan Nelson, assistant professor of bassoon, and Lynne Marie Mangan, adjunct associate professor of oboe, along with he BGSU bassoon and oboe studios.

The day will provide an opportunity for oboists and bassoonists of all ages and abilities to come together to explore and learn more about their respective instruments.  Double Reed Day will feature solo competitions for each instrument (one at the high school level, and one at the college level), masterclasses and recitals by BGSU faculty and Guest Artists, and presentations.

Guest Artists from the Grand Rapids Symphony are Alexander Miller, oboe and John Clapp, bassoon. The day will conclude with a performance by the solo competition winners and a large double reed ensemble consisting of the participants from the day.

Several outstanding vendors will have products and instruments available to try and purchase, such as TrevCo-Varner Music, Weait Music, Carlos Coelho Oboes and English Horns, Miller Marketing,  Moosmann Bassoons, double reed tools and supplies, Fox Products, and Robert D. Jordan CEO of Weisberg Systems, LLC (No-flick bassoon key system).

Presentations on instrument maintenance will be given by Barry Trent of Fox Products and Ko Kaiden of Ko Kaiden Expert Woodwind Repair.  Ko Kaiden will also give consultations and make small instrument repairs for part of the day.

Those participating should bring their instrument, reed making equipment, and repertoire if performing in a master class.

Registration for the event is online.  For more information and to register visit:

http://www.bgsu.edu/colleges/music/events/doublereed/index.html

New York’s Argento Chamber Ensemble Performs Lillios

New York’s famed Argento Chamber Ensemble will present works by BGSU composition faculty member Elainie Lillios on their upcoming “Argento Performers Series: Lunar Movements” concerts, December 15-16, 2012. Hailed by Alex Ross as “an essential source of adventurous new music”, Argento’s series celebrates the 100th anniversary of “Pierrot Lunaire”, with performances of Arnold Schoenberg’s masterpiece juxtaposed with recent and premiere compositions. The concerts will include Lillios’s alto flute and live electronics pieces “Among Fireflies” and her collaborative experimental animation “2BTextures”, created with BGSU digital artist Bonnie Mitchell. Concerts will take place at the Austrian Cultural Forum at 11 East 52nd Street, New York. For more information visit: http://www.argentomusic.org/current.html#series

 

Prof. Spohr Awarded Research Fellowship in Germany

Prof. Arne Spohr, professor of music history at BGSU, was awarded a six-month research fellowship by the Herzog August Bibliothek in Wolfenbüttel, Germany. Dr. Spohr will use this fellowship for his new research project on music, ceremonial and space at European courts during the Renaissance and Baroque.

The HAB is one of the world’s foremost research libraries for early modern studies, with most impressive holdings of unique printed and manuscript sources from the Middle Ages until the 18th century. Like the Newberry Library in Chicago, the HAB is a gathering place for international scholars, including many American historians, art historians, literary historians, theologians, and musicologists. Working at this institution offers many fruitful opportunities for interdisciplinary dialogue and exchange within the scholarly community. Beyond offering tremendous research opportunities, the HAB organizes seminars and colloquia on early modern topics, as well as concerts with music ranging from the Middle Ages to the present.

The Herzog August Bibliothek offers a highly competitive fellowship program for post-doctoral researchers in order to promote research in the areas of medieval and early modern cultural history. The international program is open to all historically oriented disciplines. Current fellows are both junior and senior scholars from all over the world, including the USA (from Stanford University, University of Wisconsin, Bucknell University and Carthage College), Estonia, France, Germany, Hungary, Italy, Poland, Russia and the United Kingdom.

www.hab.de

http://www.hab.de/forschung/stipendien/2012.htm

 

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