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‘New Music from Bowling Green’ ready for international spotlight

By Rachel Gast 

After what host Brad Cresswell described as “a long, harrowing process,” the “New Music from Bowling Green” radio show was ready to launch BGSU musicians into the international spotlight on Oct. 6.

Putting together the show is an “organic process” but is also “a lot of work, time and investment-which is why not a lot of people do it,” Cresswell explained. “The fact that we’ve been able to band together and make it happen is something spectacular.

“Bowling Green State University is the only university I know capable to do a radio show at this level.”

He and Dr. Jeffrey Showell, dean of the BGSU College of Musical Arts, agree the stress is worth it. “It’s a thrill to know that the two years of work we’ve put into this series will be heard and appreciated by listeners all over,” Showell said.

Cresswell and Showell met in September 2011, both interested in bringing living classical composers to the radio.

Cresswell remembers Showell “wanted to raise the profile of the University using media and new media, and also taking people on the road. . . . So it struck me-why couldn’t we do a radio show with Bowling Green?”

The College of Musical Arts has the talent and capability to star in the nationally syndicated 13-episode radio series, he reasoned. The New Music Festival and MidAmerican Center for Contemporary Music, which will provide most of the show’s music, each have 30-year histories behind them.

Cresswell lauded BGSU’s ability to consistently attract international attention and is eagerly awaiting more international stations to pick up “New Music from Bowling Green.”

“Our first international market is Dubai, and we hope to move into other English-speaking foreign countries in 2014,” he said.

Listeners from Atlanta to St. Louis will hear music produced by current BGSU students, professors and alumni.


Jennifer Higdon

“It’s about a 50-50 split between the recordings of the Bowling Green Philharmonia and Wind Symphony and the archives of the New Music Festival,” said Cresswell. Three episodes contain the music of Jennifer Higdon, one of BGSU’s most successful alumni.

Higdon has won a Pulitzer Prize and Grammy Awards, given a convocation address for the BGSU College of Musical Arts and been honored as one of the most successful BGSU alumni during the University’s 100th anniversary celebrations.

Coming back to BGSU gives Higdon a chance to eat some Myles pizza and hear the “really interesting stuff” coming out of the college, the composer said.

“What BGSU has that most schools don’t is the New Music Festival,” she noted. “You get to hear a good selection of what’s going on around the world.”

All the pieces featured in her three-episode series “have some sort of connection, even if it was remote, to Bowling Green.”

Listeners will hear Higdon’s love of melody in her compositions along with the “two primary hallmarks of my music: rhythm and a clear pulse.”

“Everyone tells me my music sounds very American-I’m not sure what that means, though. I know I would be in trouble having lived in America all my life and I sounded Russian or French,” she joked.

Higdon, Cresswell and the College of Musical Arts faculty are excited to hear the program air.

“We are the direct conduit between the composers and listeners,” Cresswell explained. “Radio engages your ears, and there’s where all this music lives, in the ears of the listener.

“We’re doing something different and worthwhile. That’s really where the value of presenting new music comes in. … You’re taking the genre into the 21st century and beyond.”

Listen to “New Music from Bowling Green” every Sunday at 1 p.m. on WGTE 91.3 FM.

Groundbreaking artists highlight BGSU New Music Festival

BOWLING GREEN, O.—The 34th annual New Music Festival at Bowling Green State University Oct. 16-19 will showcase nearly 30 guest composers and performers. The four-day international festival includes concerts, lectures and an art exhibition. This year’s featured guests include award-winning composer George Lewis, Ensemble Dal Niente and audio artist and performer Pamela Z.

Organized by the MidAmerican Center for Contemporary Music (MACCM), the College of Musical Arts and the Fine Arts Center Galleries at BGSU, the festival supports the creation of new work and engages both the University and city communities in the process of music appreciation and awareness.

Highlights of this year’s festival include an exhibition of installation works by Lewis, Pamela Z and Terry Adkins at the Fine Arts Center Galleries, world premiere performances of works by Lewis, Mikel Kuehn, Mathew Fuerst, Marcos Balter and Braxton Blake, and several performances by Ensemble Dal Niente, an acclaimed new music ensemble with strong ties to the BGSU College of Musical Arts.

Founded in 1980, the New Music Festival has hosted such notable composers as John Adams, Milton Babbitt, John Cage, Chen Yi, John Corigliano, Philip Glass, Pauline Oliveros, Terry Riley, Bright Sheng, Steven Stucky, Joan Tower, and more than 400 other guest composers and musicians.

Most festival events are free and open to the public.

Tickets for the final Saturday concert can be purchased at www.bgsu.edu/arts.

Online tickets will be available up to midnight the night before the concert. To purchase tickets in person or by phone, call 419-372-8171 or visit the Arts Box Office, located in the Wolfe Center for the Arts, from noon-5 p.m. Monday-Friday. The College of Musical Arts Box Office will be open two hours prior to the performance.

For a complete schedule of events, visit www.bgsu.edu/newmusic or contact the MidAmerican Center for Contemporary Music at 419-372-2685.

The festival schedule is subject to change.

Thomas Rosenkranz to premiere new work by Paul Lansky

Associate Professor of Piano, Thomas Rosenkranz along with his contemporary piano and percussion ensemble, Hammer/Klavier will premierea new eight-movement work by composer Paul Lansky. The ensemble will give
the world premiere of the work at BGSU on Thursday, October 3rd in Bryan Recital Hall and will follow with performances at the Oberlin Conservatory and Princeton University. The group will later record the work for Bridge Records.

Detroit Symphony names BGSU music alumnus as General Manager and Artisitic Administrator

DETROIT (September 20, 2013) – The Detroit Symphony Orchestra (DSO) is proud to announce the promotion of Erik Rönmark as General Manager and Artistic Administrator, an executive leadership position at the DSO.
 
Rönmark began his career at the DSO in 2005 as a Library Assistant before moving over to the Artistic department in 2006. In March 2009, he became the Artistic Manager and New Music Specialist before being named Artistic Administrator in July 2010. As Artistic Administrator, Rönmark has collaborated with DSO’s Music Director Leonard Slatkin in implementing the DSO’s artistic vision and programming across all product lines.
 
As General Manager and Artistic Administrator, Rönmark will be directing orchestra operations, artistic administration and concert production as well as leading all DSO operations, while managing key internal and external relationships of the organization.
 
“For 8 years, I have had the privilege of working alongside Erik, and I have admired and appreciated all he has accomplished,” said DSO President and CEO Anne Parsons. “Erik is a highly respected musician who values innovation while respecting the great history of our art form.  I am thrilled to welcome him to this new position, and believe he will provide inspired leadership, partnership and support to Leonard, the musicians of the DSO and the broad and diverse audiences we serve.”
 
ABOUT ERIK RÖNMARK
Erik Rönmark came to the United States in 1996 to continue his musical education. A classical saxophonist by trade, Rönmark has extensive performing experience in both chamber music and orchestral settings. He has performed in the Detroit Symphony Orchestra on several occasions, as a guest in Detroit Chamber Winds and Strings, and regularly appears in the contemporary group New Music Detroit, of which he is also co-founder and Executive Director. Recently, Rönmark was featured with the Chamber Music Society of Detroit, culminating a national tour with the Pacifica String Quartet.
 
A native of Sweden, Rönmark is a first-prize winner of both the Fischoff National Chamber Music Competition and the Coleman Chamber Music Competition. He is also the recipient of the American-Scandinavian Foundation’s award for establishing valuable relationships between Sweden and America. Using his diverse talents and skills within the music field, he has collaborated and assisted artists such as Karlheinz Stockhausen, Terry Riley, Matthew Barney, Shara Worden, and Branford Marsalis, and has commissioned and premiered over 30 new works for saxophone.
 
Rönmark has been a part of the Detroit Symphony Orchestra administration since 2005. In his new role as General Manager, Rönmark combines his administrative experience with degrees in fine arts and music performance from Northern State University, SD and Bowling Green State University, OH, as well as a Doctorate of Musical Arts from the University of Michigan.
 
He lives in Birmingham, MI with his wife Adrienne Rönmark, violinist with the Detroit Symphony Orchestra, and their three children.

 

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