Monthly Archives: November 2012

Memorial concert planned to honor Lockard-Zimmerman

A memorial/scholarship concert to celebrate the legacy of the late Dr. Barbara Lockard-Zimmerman will be presented at 2 p.m. Dec. 8 in the Donnell Theatre in the Wolfe Center for the Arts.

Lockard-Zimmerman, who passed away in September, was a member of the voice faculty at the College of Musical Arts for 37 years. Former students, faculty and friends will revisit her career highlights and her life.

The program will include music representative of the various stages of Lockard-Zimmerman’s life, from her USO tour and performance at the Brussels World Fair, to New York City – from Broadway to opera and theater – to her engagement with the Bowling Green community after her arrival at BGSU.

The concert is free and open to the public.

Going deeper into the music

Music education and performance reached a crescendo the week of Nov. 5 when the College of Musical Arts was visited by two nationally known professionals plus the Toledo Symphony Orchestra.

Seated in a small room in the Moore Musical Arts Center on Nov. 7, a group of student composers and faculty sat listening to a recording of an orchestral composition, each intently following along on the large scores before them.

What was unusual about the day was that the compositions were those of four of the students, and they had been performed the previous day by 72 members of the Toledo Symphony Orchestra in Kobacker Hall.

For student composers, having their work recorded by a full orchestra is a “golden ticket” to auditions and interviews, said composition faculty member Chris Dietz, who organized the orchestra’s visit. “It can be used to advance their careers.”

Furthermore, critiquing the pieces was none other than Bill McGlaughlin, a conductor, composer, musician and national radio personality. Perhaps best known for his work in broadcasting, as host of Peabody Award-winning “St. Paul Sunday” and “Exploring Music” (heard daily on Toledo’s WGTE-FM), as well as programs from Wolf Trap and the Library of Congress, he spent 25 years as an orchestral conductor, receiving numerous awards for adventurous contemporary programming.

The fact that the McGlaughlin’s residency as part of the annual Hansen Series coincided with the visit from the symphony was a happy coincidence, said Dietz. “It’s made the learning experience even more profound.”

Now McGlaughlin was listening to portions of works by graduate students Evan Williams, Corey Keating, Mark Witmer and Zachary Seely, offering comments and advice from the most practical (from “Have them warm up the tamtam (gong) so when it comes in it’s not so harsh,” to adding additional notation to make “conductors’ lives easier” and not writing notes that are too difficult for the musicians to reach) to the most aesthetic (“I love the way that dissolves,” and “That’s a great line, reminiscent of Sibelius,” “That’s a slinky chromatic” and “Don’t feel you have to rush it; give people time to get to where you are and let them luxuriate in that.”)

Interspersed with his critiques and questions, McGlaughlin shared a lifetime’s worth of musical memories, from driving in a car with the pioneering composer John Cage through the mountains of California to his difficulty in getting composer William Bolcom to say anything about his work even when they were to appear on a program. Thus he was understanding when trying to draw out Seely about his composition “Work for Orchestra 1.b.”

A first-year graduate student from New York, Seely said that while his composition sounded quite close to how he had heard it in his head, listening to it performed by the symphony was “pretty surreal.

Having that experience plus the input from McGlaughlin was an “extraordinary opportunity and something students at our level don’t often get,” said Keating, a second-year graduate student from California.

In contrast to Seely and Keatings’ compositions, which called for textural variations and unusual percussion effects and rhythms, Williams’s “Prelude in Tempore Belli (Music in a Time of War)” took a more traditional approach and contained several musical “quotes” from American military ballads.

“Overall, (McGlaughlin’s input) was really helpful. I see now there are several parts that I have to go back and work more on,” he said.

Also in the room was the couple who made McGlaughlin’s visit to BGSU possible. DuWayne and Dorothy Hansen, who funded the annual series dedicated to bringing top-level musicians to the college and the community. This year’s series also brought well-known jazz vocalist Karrin Allyson to campus for intensive work with the University’s jazz lab bands and vocal groups. Both McGlaughlin and Allison also gave public performances during their campus stay, he conducting the Wind Symphony and she singing with Jazz Lab Band 1.

The Toledo Symphony visit was thanks to the generosity of longtime supporter Karol Spencer, combined with funding from several areas of the University.

Wrapping up the reading session, Dietz asked McGlaughlin his opinion about the prospects for orchestras. “There’s a tremendous future for orchestras and I think the country is ready to come back. You’ve got the future in your hands. You’ll do really well,” the veteran musician predicted.

By offering opportunities like this, the College of Musical Arts is doing its part to make sure that happens.

Holiday feast of the arts at BGSU

The holiday season takes off in a burst of music, arts and theater at Bowling Green State University this week. From “A Christmas Carol” to ArtseXtravaganza to the powerful harmonies of the New York Polyphony, the days and nights are filled with activities for the whole family.

Tiny Tim ushers in the season in BGSU’s new adaptation of Charles Dickens’ classic story of redemption. Combining humor, sentiment and spectacle with authentic period carols, performances of “A Christmas Carol” are at 8 p.m. Nov. 29, Nov. 30 and Dec. 1, and at 2 p.m. Dec. 1 and Dec. 2 in the Donnell Theatre at the Wolfe Center for the Arts. Tickets are $10 and may be purchased online at or by calling 419-372-8171.

The arts at BGSU reach a critical mass on Nov. 30, when ArtseXtravaganza fills the Fine Arts Center and the Wolfe Center. From 6-10 p.m., the community is invited to share an evening of music, art, theater, dance, shopping and activities for all ages. Motion video projections will light up the exteriors of the buildings to welcome visitors inside, where the theme this year is Carnevale.

ArtsX is the occasion for the University’s artists and performers to show off their talents and creations and for the community to enjoy a unique venue for holiday shopping and entertainment. Food and beverages will be available as well.

Work in ceramics, glass, metals, jewelry, printmaking, photography, digital arts and graphic design, much of it for sale. Also on display will be work by architecture and interior design students.

In the Dorothy Uber Bryan Gallery, the annual faculty exhibition will open; many of the pieces will available for purchase. The Willard Wankelman Gallery will offer il[LUMEN]ate, an exhibition of collaborative video installations by digital arts and film students, along with a Japanese tea ceremony.

Visitors can design their own T-shirts and have them printed on the spot in the printmaking classroom. Student groups will offer henna tattoos, face painting and caricatures, and the art education students will host an entire room of fun activities for children.

The studios in the Wolfe Center will also be open, and visitors can see the latest in digital art created by students and faculty as well as costume design and theater workshops.

Families can plan to take in ArtsX and then head to the Donnell Theatre for “A Christmas Carol” or to Kobacker Hall in Moore Musical Arts Center for the Festival Series performance of “I Sing the Birth,” a special program by New York Polyphony. The all-male a cappella quartet’s concert begins at 8 p,m.

“I Sing the Birth” is an intimate meditation on the Christmas season based on the quartet’s Avie Records debut CD, which was hailed by Gramophone as “one of the season’s best.” Spanning nine centuries of music, the program offers a unique and diverse holiday celebration including medieval and modern carols, Gregorian chants and hymns, motets for Christmas and Advent by Renaissance masters, and commissioned works by Andrew Smith.

Fast-rising stars on the classical music scene, New York Polyphony has been praised on National Public Radio for a “rich, natural sound that’s larger and more complex than the sum of its parts.”

Single ticket prices for the performance range from $12 to $38. To purchase tickets online, visit or call the BGSU Arts Box Office at 419-372-8171.

Lillios’s “Backroads” featured on Australian concert and workshop

Elainie Lillios’s (Associate Professor of Composition) electroacoustic work “Backroads” will be the featured composition at a November 27 and 28 sound diffusion workshop and concert sponsored by the Spatial Information Architecture Laboratory (SIAL) Sound Studios at the Royal Melbourne Institute of Technology in Melbourne, Australia. Organized for invited guests, the workshop and performance will showcase RMIT’s newly built Design Hub, and will serve as the pilot event for a new collaborative electroacoustic concert series.

Prof. Broman’s new book has been released

Per F. Broman’s monograph on composer Sven-David Sandström (b. 1942) was published in Sweden by Atlantis förlag. It outlines his entire career, from his early chamber compositions from high school to his most recent career as a composer of large-scales oratories and composition professor at Indiana University, Bloomington. During the week of the release of the book, Broman spent time in Stockholm, lecturing on Sandström and gave an interview on Swedish Broadcasting Corporation.







Professor Rosenkranz in residence at the University of California, San Diego

Assistant Professor of Piano, Thomas Rosenkranz, recently completed a residency at the University of California at San Diego from Nov. 12th- 16th, together with his colleagues from the annual soundSCAPE Festival in Italy, which included Tony Arnold, voice Aiyun Huang, percussion,  and Lisa Cella, flute. The residency included a performance of new works written for them and a recording of works by UCSD graduate students. In addition, the group was also a featured ensemble at the College Music Society conference, and Professor Rosenkranz presented a masterclass on the music of Franz Liszt at the Opus 119 School in Irvine, California.