All posts by spergal

Doctoral Student Nick Zoulek Performs with Contemporary Dance Company

WildSpace_saxDoctoral student Nick Zoulek appeared with Wild Space Dance Company at the Mitchell Park Horticultural Conservatory Annex in Milwaukee, Wisconsin on October 22-24, 2015. His saxophone duo provided music for Luminous, part of Wild Space’s Neighborhood Sites initiative.  Mr. Zoulek is a student of Distinguished Artist Professor John Sampen.

Reviews of the performances highlighted the musical contribution to the dance piece:

Milwaukee magazine writes— “At times, the musicians take center stage, and they are extraordinary players. They use overblowing to create symphonic textures from only two instruments, and they used the vast volume of the space to create unearthly echos. Nick Zoulek’s alto saxophone solo in the middle of the dance was a tour de force, and the pair’s use of odd instruments like found-object percussion and horns made of long tubes (was that an elephant, or a speeding Maserati in full Doppler Shift) took you to other worlds.”

The Shepherd Express adds— “In moments of silence, you heard the rain. Otherwise, you heard the lush saxophone playing of Duo d’Entre-Deux (Tommy Davis and Nick Zoulek)—saw them, too, since they played live, interacting with the dancers and drawing ambient sound from the room itself. A playful episode in which they improvised in sound and movement with dancer Dan Schuchart was a delight; overall, their contribution to Luminous was profound. Beautiful harmonies sang in contrast to mysterious knockings and hums, and finally to ungodly, soul-shattering blasts.”

BGSU Alumnus & Composer David Conte Reminisces on 60 Years in Music

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San Francisco Classical Voice—

“David Conte doesn’t look like a sexagenarian, even though his seventh decade will begin on Dec. 20 and he’ll be publicly celebrating it with a Birthday Concert on Nov. 1 at the San Francisco Conservatory of Music, where he chairs the Composition Department.

Young at heart as he manifestly remains, Conte has credentialed connections to the past. He spent several years as one of the last students of the legendary Nadia Boulanger and then spent scholarly and personal time with Aaron Copland, who’d been a pupil of Boulanger a half-century earlier. Conte secured academic degrees from Bowling Green State University and Cornell University, before joining SFCM in 1985. He’s composed extensively for chorus, as well as for solo voice, opera, chamber ensemble, orchestra, and solo instruments. SFCV shared a lunch with him near his Corona Heights home before he took a sentimental journey to his original hometown of Cleveland.”

Read more.

Arne Spohr lectures at Symposium to celebrate the Berlin Staatskapelle

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BGSU music history professor Arne Spohr has been invited to lecture at the symposium celebrating the 450th birthday of the Berlin Staatskapelle, one of the oldest orchestras in the world. The symposium takes place in the Staatsoper im Schillertheater and in Charlottenburg Castle in Berlin, Germany, October 18-20, 2015. Professor Spohr gives a lecture outlining the importance of English instrumentalists for the history of this orchestra during the early 17th century. Daniel Barenboim, chief conductor of the Staatskapelle, will give the welcoming speech to open this event.

BGSU Voice Alumna to make Metropolitan Opera debut

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BGSU alumna, soprano Tammie Michelle Bradley, currently resides in Houston, Texas. She was recently selected by Maestro James Levine to become a part of the prestigious Lindemann Young Artist Development Program at the Metropolitan Opera.  The Lindemann Young Artist Development Program was created in 1980 by Maestro Levine to identify and develop extraordinarily talented young singers in the field of opera. The program has trained a new generation of renowned American and International opera singers, as well as coaches and pianists, who perform at the highest standards in productions not only at the Met, but in opera houses around the world.

Ms. Bradley has won prizes in several prestigious vocal competitions, including the first prize in the Marilyn Horne Song Competition at The Music Academy of the West in Santa Barbara, California held last July 2014. She has also won prizes in the Gerda Lissner Vocal Competition in New York City, and the Lois Alba Vocal Competition in Houston, Texas.  She is currently performing a recital tour of the U.S. as winner of the Marilyn Horne Song Competition. The tour has taken her to cities in California, Texas, and New York.

Ms. Bradley begins her contract with the Metropolitan Opera on September 8, 2015. Ms. Bradley received her master of music degree in vocal performance from BGSU in 2009 and studied voice with soprano Myra Merritt.

Also from the studio of Myra Merritt, Elizabeth Hood, who graduated from BGSU in May 2015 has recently completed an operatic training program.  Elizabeth had the chance to sing the demanding role of The Queen of the Night in Mozart’s Die Zauberflöte at the Lyric Opera Studio Weimar this past summer.  The program is an intensive opera training program designed for emerging young professional singers and focuses on the German theatre system. The program consisted of 39 students representing 18 different countries. The students were given master classes and the opportunity to learn a role and sing it with orchestra in Weimar.

 

Faculty Publications Highlighted

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The editors at Ashgate Publishing have named Dr. Mary Natvig’s 2002 book, Teaching Music History, as the most influential book they had published in the field.

Dr. Emily Freeman Brown,  Director of Orchestral Activities, Conducting & Ensembles has recently authored “A Dictionary for the Modern Conductor” published by Rowman & Littlefield.

from the Rowman & Littlefield description

“Titles in Dictionaries for the Modern Musician: A Scarecrow Press Music Series offer both the novice and the advanced artist key information designed to convey the field of study and performance for a major instrument or instrument class, as well as the workings of musicians in areas from conducting to composing. Unlike other encyclopedic works, contributions to this series focus primarily on the knowledge required by the contemporary musical student or performer. Each dictionary covers topics from instrument parts to playing technique, major works to key figures. A must-have for any musician’s personal library! Filling a vital need in the rapidly changing and complex field of conducting, A Dictionary for the Modern Conductor is a concise one-volume reference tool that brings together for the first time information covering a broad array of topics essential for today’s conductor to know.”

Andrew Pelletier in recital tour of the South

Andrew Pelletier, Associate Professor of Horn, will be making a recital tour in the South, this September, with residencies at the University of Southern Mississippi in Hattiesburg (Sept. 7-9), University of West Georgia in Carrollton (Sept. 10-12), and the University of Alabama in Tuscaloosa (Sept. 13-15).  Each residency will include masterclasses, lectures, private teaching and a recital.