On April 4th and 5th, BGSU Philharmonia director Dr. Emily Freeman Brown conducted the Göttinger Symphonie Orchester in a program of Bohemian Masters of the Classical Period. The web site is http://www.gso-online.de/
On April 4th and 5th, BGSU Philharmonia director Dr. Emily Freeman Brown conducted the Göttinger Symphonie Orchester in a program of Bohemian Masters of the Classical Period. The web site is http://www.gso-online.de/
Per F. Broman, Associate Professor of Music Theory, along with three graduate students, musicologist Jane Hines, composers Michael Kasinger and Carter Rice, will present research papers at the Music and Moving Image conference at New York University’s Steinhardt School of Culture, Education, and Human Development, May 31-June 2.
Hines’s “The Enchanted Concerto: World War II, Propaganda, and Musemes” analyses the use of the Hubert Bath’s composition Cornish Rhapsody in John Cromwell’s film The Enchanted Cottage (1945); Rice’s “Thematic Textures in Christopher Nolan’s Batman Films” shows the transformation of traditional Leitmotifs from the early Batman (1989) to The Dark Knight (2008); Kasinger’s “Sleight of Ear: The Use of the Unexpected in Film Scores” illustrates how carefully selected music acts a barrier between the audience and the cinematic events, controlling the emotional and intellectual response, by using Joel and Ethan Coen’ Burn After Reading (2008) and Zack Snyder’s Sucker Punch (2011) as case studies; Broman’s “Mute the Bereaved Memories Speak: A Pasolinian Requiem” traces the close intertextual musical relationship between the Sven-David Sandström’s Requiem (1979) and Pier Paolo Pasolini’s Salò (1975), which provides important keys to understanding the requiem.
The Wisconsin Conservatory of Music has hired Gregory Ruffer for the position of President/CEO. |
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Ruffer is a performing arts leader, conductor and voice teacher with a quarter century of experience in the field. He has served most recently as the Music Department Chair at the Patel Conservatory and Chorus Master for Opera Tampa, both at the Straz Center for the Performing Arts in Tampa, Florida. In these positions, Mr. Ruffer was the administrative leader of a large, multi-faceted music department that included children’s music, Suzuki, youth orchestra, rock school, vocal arts, guitar, jazz and private lessons. He managed a department of nearly 50 music teachers and administrators, a professional opera chorus of 50 singers, and created and oversaw a large departmental budget.
Ruffer holds B.M. and M.M. degrees from BGSU. |
Andrew Pelletier, Associate Professor of Horn, recently performed with the internationally recognized Empire Brass. The performance was April 14, 2013 at Concordia University in Ann Arbor, MI. Dr. Pelletier was invited by the group’s founder and leader, Rolf Smedvig, to join the group for this performance.
Richard Alleshouse, B.S.’63, has had the honor of being inducted into the 2012 Class of Norwalk High School Hall of Fame, academic division. Richard has been on the faculty of BGSU and UT and taught orchestra students for 33 years, most recently retiring as Director of Orchestras in Sylvania, Ohio, schools. He is in his 48th year as Principal Double Bass of the Toledo Symphony Orchestra and his first season with the orchestra was 1961.
The Falcon Marching Band, Carol Hayward, director, has been selected for a video performance at the 2013 conference of the College Band Directors National Conference at the University of North Carolina at Greensboro. The Falcon Marching Band was one of 10 bands selected from nationwide applicants through a peer-review process. The selected bands will be featured at the conference on Mar. 21, 2013.
The show to be presented at the conference, performed by the 280 member Falcon Marching Band in collaboration with the BGSU Men’s Chorus, Timothy Cloeter, director, is titled “I Hear America Singing.” Performed on Sept. 10, 2011, the show is a medley of patriotic selections, selected to honor those who gave their lives on Sept. 11, 2001, as well as the survivors, first responders, and members of the military who assisted in the recovery and rescue efforts. The musical arrangements are by Falcon Marching Band staff arranger, Ryan Nowlin, and the visual design is by Carol Hayward.