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Cultura Popular en América Latina y el Caribe

January 2012

Semana 4

Mafalda (Argentina): Lunes   Mafalda: varios cómics; Mafalda y sus amigos (selección de videos)     Mafalda (David William Foster, 53-61);           Este sitio es fantástico para conocer más sobre Mafalda (http://www.turning-pages.com/mafalda/) Quino es más que Mafalda…           (Bio de Quino) Miércoles Memin Pinguin (México):     […]

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Semana 3

Historia y teoría del cómic Lunes Historia (Merino 19-32); Miércoles Rutas teóricas (Merino 45-93) Viernes ¿Arte secuencial o cómic pre-colombino? (Magnussen 59-75).             Arte Maya

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Tango!

Bernardo Bertolucci’s Last Tango in Paris (Ultimo tango a Parigi, 1972) Bartin Brest’s Scent of a Woman (1992)    

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Critical Reading: What is It?

Critical Reading: What is It? Interrogating cultural texts. To read critically is to make judgements about how a text is argued. This is a highly reflective skill requiring you to “stand back” and gain some distance from the text you are reading. (You might have to read a text through once to get a basic grasp of […]

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P O P C U L T U R E LATIN AMERICA!

P O P C U L T U R E LATIN AMERICA! Introduction Defining the Popular in the Latin American Context The notion of popular culture is not a straightforward one, and a single definition of the term “popular” has proved elusive. The term is often used simply to refer to cultural products enjoyed or […]

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Semana 2

SEMANA 2 2.1.        Perspectiva histórica (mestizaje, transculturación, etc.): Rowe (17-45) 2.2.        Del Carnaval negro al Tango: Beezley (43-57)

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Cultura Popular (in)Definiciones

1.1.        Introducción: Rowe (1-15) 1.2.        Introducción: Beezley (xi-xix)

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Semana 15

Lunes / Miércoles Stuart Hall – Representation & the Media In this accessible introductory lecture, Hall focuses on the concept of “representation”– one of the key ideas of cultural studies– and shows how reality is never experienced directly, but always through the symbolic categories made available by society. Sections: Intro | Visual Representation & The […]

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