Category Archives: faculty news

Prof. Pelletier at the International Horn Society

Dr. Andrew Pelletier, Associate Professor of Horn, will be very active at this year’s International Horn Society Symposium, held July 29 to August 3, 2013 at the University of Memphis.  He will be highlighted in three solo performances, performing music of Alec Wilder, Karlheinz Stockhausen and vocal duet transcriptions of Mendelssohn with BGSU alum Anthony Cleeton; will present a warm-up clinic; will present a lecture on operatic horn auditions and solos, called “The Bel Canto Horn”; will perform in two artist horn ensembles; and will conduct the BGSU Horn Club in a lunch-time performance.  This will be the fifth IHS Symposium that Dr. Pelletier has performed at as a Contributing Artist, and the first performance of the BGSU Horn Club at an IHS Symposium.

Lillios Premiere at 2013 Nief Norf Festival

Professor Elainie Lillios’s new composition “The Rush of the Brook Stills the Mind” for multi-percussion and live, interactive electroacoustics premiered on June 1, 2013 at the Nief Norf Festival in Greenville, South Carolina. The annual summer festival attracts percussionists, composers, and other performers who workshop and perform challenging contemporary literature and explore special topics surrounding the avant-garde. Percussionist Scott Deal, Nief Norf’s 2013 keynote speaker and featured guest, premiered the work.

Lillios to teach electracoustic performance in Greece as Fulbright scholar

BOWLING GREEN, O.—As Dr. Elainie Lillios goes about preparing for the end of the semester at Bowling Green State University, getting ready for a premiere of her work in South Carolina in June and for her commission to compose in Paris this fall, she is also spending some time each day learning Greek.

Lillios, an associate professor of composition specializing in electroacoustic music, has been awarded a Fulbright scholarship to teach a seminar and conduct research at the Municipal Conservatory at Thermi in Thessaloniki, Greece, next fall.

“I’m a composer, but I’ll be exploring a new area of instruction,” she said. “I’ll be teaching performers how to perform with technology.”

A prolific composer, Lillios is well known in the electroacoustic world. In 2009 she won first prize in the “music with instruments” section at the 36th annual Bourges International Competition in France for her composition “Veiled Resonance,” written for soprano saxophone and live electronics. Last year she became only the second American composer in the history of the prestigious Groupe de Recherches Musicales musical research group in Paris to be awarded a commission. Lillios’s new work will be premiered in October as a featured piece on the group’s “Multiphonies” concert series. She will perform it at La maison de Radio France in the Salle Olivier Messiaen, on the organization’s famous “Acousmonium,” an orchestra of 80-plus loudspeakers arranged throughout the concert space.

In her invitation to Lillios to come to Thermi, Artistic Director Erato Alakiozidou said the conservatory was interested in “your expertise on integration of new technology in composition, performance and repertoire selection. Quite recently, our conservatory started a contemporary music and music technology department and there are already 20 students interested in attending such a seminar.”

“The conservatory students who attend the seminar play traditional instruments, but want to learn to integrate technology into performance,” said Lillios. “We’ll investigate performers who specialize in technology, and I’ll show them how to use microphones, how to prepare pieces employing technology, and how to work with sound systems. The seminar’s capstone event will be a concert where students will perform technology-mediated pieces they select and rehearse in collaboration with their studio instructor.”

Integrating technology calls for a specific type of composition, and one of Lillios’ goals is “to leave the conservatory with the beginnings of a technology-mediated score repository so that they have the resources to continue after I’m gone.

“Many contemporary composers create music combining live and acoustic instruments with technology,” she said. “It could be saxophone with fixed media (what we used to call tape), or flute with computer – which listens to the music and reacts to it.”

To gather the necessary materials, she will put out a call for scores, and all submissions will go to Greece for student and faculty use.

In many ways, the trip to Greece is a reconnection for Lillios, whose father was Greek and who still has family in the Thessaloniki area. She taught in a weeklong electroacoustic composition workshop in Corfu during a 2007 sabbatical.

The connection with the Thermi conservatory, though, is with a BGSU alumnus from Greece, Theofilios Sotiriades, who was a graduate student in Distinguished Artist Professor John Sampen’s saxophone program. Sotiriades now teaches at the conservatory.

“When he (Sotiriades) was at Bowling Green, he took the music technology class and loved it. He’s been championing me to come to Greece ever since,” Lillios said, adding that while there is a lot of electronic music in the country as a whole, “I’m bringing something new to the conservatory, and I hope to get the students and the faculty excited about it.”

In addition to teaching and composing, “I plan to travel and lecture in various parts of the country,” Lillios said. “With the Fulbright, I will be a diplomat to build bridges in my field between creative people in Greece and creative people here.”

She plans to renew her connections with the Corfu faculty and arrange to lecture there as well. “I want to recruit for our program and build connections. I want to collaborate with Theofilios (Sotiriades) and compose a piece for the resident faculty ensemble.

“I’m looking forward to working with students and faculty at the Municipal Conservatory, connecting with family and immersing myself in Greek culture,” she said.

Thomas Rosenkranz to tour China and to serve on the jury of Spring Festival Competition.

Associate Professor of Piano, Thomas Rosenkranz, will be presented in a solo tour of  China with performances in Shaoxing, Wenzhou, Leqing, Cixi, Ningbo, Houzhou and Jiaxing, from May 3rd-May 11th. On May 18th he will serve on the jury for the Spring Festival Competition in Shanghai, which is sponsored by Weibo, China’s version of Twitter. In addition he will give masterclasses at the Sichuan Conservatory of Music in Chengdu, and at the Xinghai Conservatory in Guangzhou.

 

Prof. Broman presents a paper at Harvard

Per F. Broman, Associate Professor of Music Theory and Associate Dean, will present his paper “Mute the Bereaved Memories Speak: ‘Vulgar! Rough! Tasteless!—A major music event! Brilliant critique of civilization’,” a paper dealing with the first Requiem by composer Sven-David Sandström, at the Society for Word-Music Relations 7th Annual Lyrica Dialogues at Harvard University on May 3.