All posts by Pella Felton

About Pella Felton

Pella Felton is a 4th Year PhD student in the Department of Theatre and Film at Bowling Green State University. Her research focuses on Podcasting as a Performance Medium.

5 – “Hanne Nijtmans – Podcasting Paranoia: Aesthetics, Politics, and Community in American Fictional Podcasts”

Using Welcome to Night Vale as a case study, this paper investigates the aesthetic, social, and political functions of the paranoid style in podcasts. This provides new insights in how upcoming art forms respond to the political problems of the ‘age of conspiracy,’ and how that inspires virtual fan communities. Cities of Sound is an official Panel of the 2021 Pacific Ancient Modern Language Association Citation: Nitjtmans, Hanne, “Podcasting Paranoia: Aesthetics, Politics, and Community in American Fictional Podcasts” Mp3. Cities of Sound: Podcasting as Public Texts, Media and Performances. 2021 Pacific Ancient Modern Language Association Conference https://anchor.fm/citiesofsound/episodes/Hanne-Nijtmans—Podcasting-Paranoia-Aesthetics–Politics–and-Community-in-American-Fictional-Podcasts-e1a5i7n

Abstract

Using Welcome to Night Vale as a case study, this paper investigates the aesthetic, social, and political functions of the paranoid style in podcasts. This provides new insights in how upcoming art forms respond to the political problems of the ‘age of conspiracy,’ and how that inspires virtual fan communities.

Works Sited

Berlant, Lauren. Cruel Optimism. Duke University Press, 2011.

Berry, Richard. “Part of the Establishment: Reflecting on 10 Years of Podcasting as an Audio Medium.” Convergence, vol. 22, no. 6, 2016, pp. 661-671.

Bonini, Tiziano. “The ‘Second Age’ of Podcasting: Reframing Podcasting as a New Digital Mass Medium.” Quaderns del CAC, vol. 22, no. 2, 2015, pp. 170-178.

DeLillo, Don. Libra. Penguin, 2018 [1988].

—, Running Dog. Macmillan, 1992 [1978].

Hofstadter, Richard. The Paranoid Style in American Politics and Other Essays. Alfred A. Knopf, 1966.

Hancock, Danielle, and Leslie McMurty. “I Know What a Podcast Is’: Post-Serial Fiction and Podcast Media Identity.” Podcasting: New Aural Cultures and Digital Media, edited by Dario Llinares, Neil Fox and Richard Berry, Springer, 2018, pp. 81-106.

Hancock, Danielle. “Our Friendly Desert Town: Alternative Podcast Culture in Welcome to Night Vale.” Critical Approaches to Welcome to Night Vale, edited Jeffrey Andrew Weinstock, Palgrave, MacMillan, 2018, pp. 35-50.

Jameson, Frederic. “Cognitive Mapping.” Marxism and the Interpretation of Culture. Edited by Cary Nelson and Lawrence Grossberg, MacMillan, 1988, pp. 347-357.

—., The Geopolitical Aesthetic: Cinema and Space in the World System. Indiana University Press, 1992.

Knight, Peter. Conspiracy Culture: From Kennedy to The X Files. Routledge, 2000.

—., eds. Conspiracy Nation: The Politics of Paranoia in Postwar America, New York University Press, 2002.

Llinares, Dario, Neil Fox, and Richard Berry, eds. Podcasting: New Aural Cultures and Digital Media. Springer, 2018.

Ngai, Sianne. Ugly Feelings. Harvard University Press, 2005.

Pynchon, Thomas. The Crying of Lot 49. Penguin, 2012 [1966].

Rabbits. Season 1. Podcast. The Public Radio Alliance, 2017.

Sandra. Season 1. Podcast. Gimlet Media, 2018.

Soltani, Farokh. “Inner Ears and Distant Worlds: Podcast Dramaturgy and the Theatre of the Mind.” Podcasting: New Aural Cultures and Digital Media, edited by Dario Llinares, Neil Fox and Richard Berry, Springer, 2018, pp. 189-208.

Spinelli, Martin, and Lance Dann. Podcasting: The Audio Media Revolution. Bloomsbury Publishing USA, 2019.

Swiatek, Lucasz. “The Podcast as Intimate Bridging Medium.” Podcasting: New Aural Cultures and Digital Media, edited by Dario Llinares, Neil Fox and Richard Berry, Springer, 2018, pp. 173- 188

Tanis. Season 1. Podcast. The Public Radio Alliance, 2015.

Three Days of The Condor. Movie. Syndey Pollack, 1975.

Weinstock, Jeffrey, eds. Critical Approaches to Welcome to Night Vale: Podcasting between Weather and the Void, Palgrave MacMillan, 2018. Welcome to Night Vale. Podcast. Night Vale Presents, 2012-Present.

Cities of Sound is an official Panel of the 2021 Pacific Ancient Modern Language Association

Citation:

Nitjtmans, Hanne,  “Podcasting Paranoia: Aesthetics, Politics, and Community in American Fictional Podcasts” Mp3. Cities of Sound: Podcasting as Public Texts, Media and Performances. 2021 Pacific Ancient Modern Language Association Conference https://anchor.fm/citiesofsound/episodes/Hanne-Nijtmans—Podcasting-Paranoia-Aesthetics–Politics–and-Community-in-American-Fictional-Podcasts-e1a5i7n

Music by Kevin MacCleod

4 – Ella Waldmann “This must be fiction: Examining the Implications of S-Town’s Novelistic Turn”

This paper explores what happens when a hit podcast like S-Town (2017) reclaims a traditional, written form as its model of production, construction and distribution.

Ella Waldmann is an alumna of the Ecole Normale Supérieure and of Sciences Po Paris. As part of her MA Program in English she was a visiting student at Columbia University in the City of New York. She is currently a PhD candidate at Université de Paris, Laboratoire de Recherche sur les Cultures Anglophones (LARCA), where she is working on a thesis on podcasts as literary objects, with a focus on the podcast S-Town.

Cities of Sound is an official Panel of the 2021 Pacific Ancient Modern Language Association

Citation:

Waldmann, Ella  4 – Ella Waldmann “This must be fiction: Examining the Implications of S-Town’s Novelistic Turn”” Mp3. Cities of Sound: Podcasting as Public Texts, Media and Performances. 2021 Pacific Ancient Modern Language Association Conference 

Works Cited:

Bottomley, Andrew. Sound Streams: A Cultural History of Radio-Internet Convergence. Ann Arbor: University of Michigan Press, 2020. 

DeMair, Jillian. ‘Sounds Authentic: The Acoustic Construction of Serial’s Storyworld’. In The Serial Podcast and Storytelling in the Digital Age, edited by Ellen McCracken. Routledge Focus on Digital Media and Culture 1. New York ; London: Routledge, Taylor & Francis Group, 2017.

Grierson, John. ‘First Principles of Documentary’. In Nonfiction Film Theory and Criticism, edited by Richard Meran Barsam. New York: E.P. Dutton & Co., 1976.

Hess, Amanda. ‘‘S-Town’ Attains Podcasting Blockbuster Status’. The New York Times, December 22, 2017, https://www.nytimes.com/2017/04/05/arts/s-town-podcast-blockbuster-status.html.

Lindgren, Mia. ‘Personal Narrative Journalism and Podcasting’. Radio Journal: International Studies in Broadcast & Audio Media 14 (1 April 2016): 23–41.

McHugh, Siobhan. ‘The Narrative Podcast as Digital Literary Journalism: Conceptualizing S-Town’. To be published in Literary Journalism Studies, Vol. 13, Nos. 1 – 2, December 2021.

O’Neill, Connor Towne. ‘Residents of So-Called ‘Shit Town’ Are Conflicted Over S-Town’. Vulture. April 25, 2017. https://www.vulture.com/2017/04/s-town-podcast-visiting-woodstock-alabama.html.

Ora, Rebecca. ‘Invisible Evidence: Serial and the New Unknowability of Documentary: New Aural Cultures and Digital Media’ in Podcasting: New Aural Cultures and Digital Media, 107‑22, 2018.

Peabody, Awards. ‘The Peabody Awards – News, Radio/Podcast, & Public Service Winners Named’. peabodyawards.com, 2017. http://peabodyawards.com/stories/story/news-radio-podcast-and-public-service-winners-named.

3- AC Carlson – “Reports of Violence Erupted Today”: Limetown and the Potential of Podcast Fiction”

Fiction podcasts deserve further attention as a form defined by particular production, distribution, and listening practices. Two-Up Studio’s 2015 fiction podcast Limetown, while now an example of the “Golden Age” of podcast fiction, highlights the possibility of fiction podcasting to blur the line between truth and fiction.

Annamarie Carlson is a Ph.D. student in Rhetoric at Indiana University-Bloomington. They have an MA in English Literature from Northern Arizona University. Annamarie’s scholarly interests can usually be found at the blurry intersection of narrative, culture, and media, all broadly conceived. To put it another way, they are fascinated by the interplay of the stories we tell, the technologies used to tell them, and the relationship of stories and technologies with whatever it is we mean when we say “culture”. They have a creative as well as an academic interest in podcasting, audio fiction, and video games.

Music by: Kevin McCleod. (incomtech.org) 

Citation:Carlson, Annamarie. “T2- Annamarie Carlson – “Reports of Violence Erupted Today”: Limetown and the Potential of Podcast Fiction.”” Mp3. Cities of Sound:City of Sound: Podcasting as Public Texts, Media and Performances, n.d https://anchor.fm/citiesofsound/episodes/3–Annamarie-Carlson—Reports-of-Violence-Erupted-Today-Limetown-and-the-Potential-of-Podcast-Fiction-e1a4so7

2 -Bryan Jenkins – “Podcasts of the Oppressed: Black Podcasts, Resistance and Critical Media Literacy”

Black podcasts exist as a new form of digital media that is quickly growing in popularity but remains understudied.  This research explores Black podcasts as a tool for critical media literacy through the observation of the Tea with Queen and J. (TWQJ) podcast through the lens of Black cyberfeminist theory.

Cities of Sound is an official Panel of the 2021 Pacific Ancient Modern Language Association

Citation:

Jenkins, Bryan. “2 -Bryan Jenkins – “Podcasts of the Oppressed: Black Podcasts, Resistance and Critical Media Literacy”” Mp3. Cities of Sound: Podcasting as Public Texts, Media and Performances. 2021 Pacific Ancient Modern Language Association Conference https://anchor.fm/citiesofsound/episodes/2–Bryan-Jenkins—Podcasts-of-the-Oppressed-Black-Podcasts–Resistance-and-Critical-Media-Literacy-e1a4uau

Works Cited:

•Alvermann, D.E., & Hagood, M.C. (2000). Fandom and critical media literacy. Journal of Adolescent & Adult Literacy, 43(5), 436-446.

•Audio and podcasting fact sheet. (2019, July). Pew Research Center: Journalism & Media. Retrieved from https://www.journalism.org/fact-sheet/audio-and-podcasting/

•Collins, P.H. (2009). What does the flag mean to you? Education and democratic possibilities. In Collins, P.H., Another Kind of Public Education: Race, Schools, the Media, and Democratic Possibilities, (pp. 1-39), Beacon Press

•Cottom, T.M. (2017). Black cyberfeminism: Ways forward for intersectionality and digital sociology. In Daniels, J., Gregory, K. & Cottom, T.M. (Eds.), Digital Sociologies (pp. 211-231). Policy Press.

•Crampton, C. (2020, Feb. 4). New Sony venture, this time with the UK’s Somethin’ Else. HotPod. Retrieved from https://hotpodnews.com/new-sony-venture-this-time-with-the-uks-somethin-else/

•Drew, C. (2017). Edutaining audio: An exploration of education podcast design possibilities. Educational Media International, 54(1), 48-62.

•Dockter, J., Haug, D., & Lewis, C. (2010). Redefining rigor: Critical engagement, digital media, and the new English/language arts. Journal of Adolescent & Adult Literacy, 53(5), 418-420.

•Edison Research. (2019). The Infinite Dial 2019. Retrieved from Edison Research website: https://www.edisonresearch.com/wp-content/uploads/2019/03/Infinite-Dial-2019-PDF-1.pdf

•Florini, S. (2015). The podcast “chitlin’ circuit”: Black podcaster, alternative media, and audio enclaves. Journal of Radio & Audio Media, 22(2), 209-219. doi: 10.1080/19376529.2015.1083373

•Florini, S, (2017). This Week in Blackness, the George Zimmerman acquittal, and the production of a networked collective identity. New Media & Society, 19(3), 439-454.

•Freire, P. (2000). Pedagogy of the oppressed (30th anniversary ed.). New York, NY: Continuum.

•Giroux, H.A. (2010). Rethinking education as the practice of freedom: Paulo Freire and the promise of critical pedagogy. Policy Futures in Education, 8(6), 715-721.

•Giroux, H.A., & Giroux, S.S. (2006). Challenging neoliberalism’s new world order: The promise of critical pedagogy. Cultural Studies – Critical Methodologies, 6(1), 21-32.

•Gray, K. L. (2015). Race, gender, and virtual inequality: Exploring the liberatory potential of Black cyberfeminist theory. In Lind, R. A. (Ed.) Produsing Theory in a Digital World 2.0: The Intersection of Audiences and Production in Contemporary Theory (Vol. 2), (pp. 175-192). Peter Lang Inc.

•Gray, K. L. (2016). Solidarity is for White women in gaming. In Kafai, Y. B., Richard, G. T., & Tynes, B.M. (Eds.), Diversifying Barbie and Mortal Kombat: Intersectional Perspectives and Inclusive Designs in Gaming, (pp. 59-70). ETC Press.

•Gray, K.L. (2017). “They’re just too urban”. In Daniels, J., Gregory, K. & Cottom, T.M. (Eds.), Digital Sociologies (pp. 355-368). Policy Press.

•Interactive Advertising Bureau, & PricewaterhouseCoopers. (2019). Full year 2017 podcast ad revenue study: An analysis of the US podcast advertising industry (Research Report No. 3). Retrieved from Interactive Advertising Bureau website: https://www.iab.com/insights/third-annual-podcast-ad-revenue-study-by-iab-and-pwc-reports-significant-growth/

•Internet/Broadband Fact Sheet (2019, June). Pew Research Center: Internet & Technology.  Retrieved from https://www.pewinternet.org/fact-sheet/internet-broadband/

•Jackson, S.J. (2016). (Re)Imagining intersectional democracy from Black feminism to hashtag activism. Women’s Studies in Communication, 39(4), 375-379. doi: 10.1080/07491409.2016.1226654

•Jham, B.C., Duares, G.V., Strassler, H.E., & Sensi, L.G. (2008). Joining the podcast revolution. Journal of Dental Education, 72(3), 278-281.

•Kellner, D., & Share, J. (2005). Toward critical media literacy: Core concepts, debates, organizations, and policy. Discourse: Studies in the Cultural Politics of Education, 26(3), 369-386. doi: 10.1080/01596300500200169

•Kelly, C. R. (2019). Sound commodity: Contemporary public radio and podcasting (Master’s thesis, University of Maine). Retrieved from https://digitalcommons.library.umaine.edu/etd/2989

•Newman, N., & Gallo, N. (2019). News podcasts and the opportunities for publishers. Retrieved from Digital News Report website: http://www.digitalnewsreport.org/publications/2019/news-podcasts-opportunities-publishers/

•Noble, S.U. (2018). Algorithms of oppression: How search engines reinforce racism. New York, NY: New York University Press

•Podtrac. (2020). Top publishers: Podcast industry ranking highlights top 15 podcast publishers US audience: February 2020. Retrieved from http://analytics.podtrac.com/podcast-publisher-rankings

•Rapp, L., Button, D.M., Fleury-Steiner, B., & Fleury-Steiner, R. (2010). The internet as a tool for Black feminist activism: Lessons from an online antirape protest. Feminist Criminology, 5(3), 244-262.

•Richard, G.T., & Gray, K. L. (2018). Gender play, racialized reality: Black cyberfeminism, inclusive communities of practice, and the intersections of learning, socialization, and resilience in online gaming.  Frontiers: A Journal of Women Studies, 39(1), 112-148.

•Spangler, T. (2019, May 16). Sony Music jumps into podcasts, forms venture with producers Adam Davidson and Laura Mayer. Variety. Retrieved from https://variety.com/2019/digital/news/sony-music-podcast-adam-davidson-laura-mayer-1203208804/

•Stack, M. & Kelly, D.M. (2006). Popular media, education, and resistance. Canadian Journal of Education, 29(1), 5-26.

•Steele, C.K. (2018). Black bloggers and their varied publics:  The everyday politics of Black discourse online. Television & New Media, 19(2), 112-127. doi: 10.1177/1527476417709535

•Williams, S. (2015). Digital defense: Black feminist resist violence with hashtag activism. Feminist Media Studies, 15(2), 341-344. doi: 10.1080/14680777.2015.1008744

•Williams, S. (2016). #Sayhername: Using digital activism to document violence against Black women. Feminist Media Studies, 16(5), 922-925. doi:10.1080/01419870.2017.1334934

•Wright, M. M. (2005). Finding a place in cyberspace: Black women, technology, and identity. Frontiers: A Journal of Women Studies, 26(1), 48-59.

•Yee, T. (2019). Podcasting and personal brands: Mapping a theoretical path from participatory empowerment to individual persona construction. Persona Studies, 5(1), 92-106.

1 – Alyn Euritt “Intimacy as a Framework for Podcast Mediation”

https://anchor.fm/citiesofsound/embed/episodes/1—Alyn-Euritt-Intimacy-as-a-Framework-for-Podcast-Mediation-e1a68b2

This paper briefly presents a podcasting-specific definition of intimacy and how it can be used as a framework for understanding podcast mediation. But also, its a chat cast. and there’s an ASMR halfway through

Alyn Euritt is a doctoral candidate at the Universität Leipzig, where she studies the cultural construction of intimacy in American podcasting. She has published on podcasting in terms of publics in Participations, Popular Communication and Gender Forum and the relationship between podcast chat and intimacy in kommunikation@gesellschaft.

Cities of Sound is an official Panel of the 2021 Pacific Ancient Modern Language Association

Citation:

Euritt, Alyn “1 – Alyn Euritt “Intimacy as a Framework for Podcast Mediation”” Mp3. November 12. Cities of Sound: Podcasting as Public Texts, Media and Performances. 2021 Pacific Ancient Modern Language Association Conference https://anchor.fm/citiesofsound/episodes/1—Alyn-Euritt-Intimacy-as-a-Framework-for-Podcast-Mediation-e1a68b2

Works Cited

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Weldon, Glenn. “ It’s All In Your Head: The One-Way Intimacy Of Podcast Listening.” Pop Culture Happy Hour: Pop-Culture News And Analysis From NPR, 2 Feb 2018.

Music by Kevin MacLeod (Incomptech.org)