We at BRL TV were able to sit down with The Coup Kids’ Eric “Zirgs” Zirger for an interview. This interview will also be featured in the group’s full-length documentary about the group recording their debut project, Six Strings & a Mic: An EP. Zirger touches on many topics during this interview including how he got started playing guitar, how he first started writing his own guitar riffs, how he got into writing lyrics, and more.
While there is no set release date for my and Zirger’s debut as The Coup Kids. We are probably looking to release it before June. Here is the link to the two singles we’ve released from the project, thus far.
BRL Radio- Headphones & Backpacks Podcast episode 1 by zgase
This is my first attempt at a podcast, and a nice reminder that I should stick to print journalism. In this podcast I talk about some latest news in hip hop, and play some recent tracks that should be getting some more attention.
Tracklist:
1. XV – Witchita
2. Talk about XV
3. BRL Intro
4. Talk about Atmosphere’s New LP
5. Atmosphere- “If you can save me now”
6. Talk About Family Tour
7. Grieves – “Lightspeed”
8. Blueprint – “Radio-Inactive”
9. Phonte’s solo album….
10. Little Brother – Tiggalo for Dolo
11. Custom Made info
12. Scoobs – These Days
13. Talk about StudyAbroad album
14. GooseFlames – few good blokes
15. Wrap it up – upcoming posts, future podcasts
16. The Coup Kids – All Iever wanted
In a video from Urbandaily.com Phonte and 9th Wonder announced that they will be collaborating again on Tay’s upcoming solo debut.
Last year around this time, Phonte and 9th had a public dispute on Twitter about the Little Brother bonus track, “Star” which appeared on Phonte and Big Pooh’s final album as a group. The two took it to the internets again a few months ago, announcing that they had finally squashed their beef, after several long and heated discussions.
Now Phonte is gearing up to release his long-awaited solo debut album, and 9th will be producing much of it taking on a role similar to J Dilla’s on Q-Tip’s Amplified album (Dilla co-produced with Tip on all but 2 tracks). The album will coincidentally be released on the 6-year anniversary of the classic Little Brother album, The Minstrel Show, September 13.
I’m extremely happy to see these two great minds work out their differences. Their early Little Brother work was one of the best hip hop of the last decade. 9th has seemingly grown as a producer as made evident by his work in 2010 including great albums such as Murs’ Fornever and David Banner’s Death of a Pop Star.
I’ve been awaiting a solo “Rappin’ Tay” album for years. He gave us a little glimpse of the first Foreign Exchange album, but it was predominantly “Singin’ Tay.” Phonte has been one of the most premier emcees over the past decade, and his up-coming solo record is easily one of the most exciting projects being released this year.
Here’s a little glimpse of “Rappin’ Tay” off of Little Brother’s LeftBack LP released in 2010.
Atmosphere’s long awaited 7th LP is finally released today. My review of the record will come later in the week, via Okayplayer. But it is the group’s most mature sounding effort to date, and exactly what hip hop should sound like when it’s made by people almost in their 40s (Jay-Z take note, bro).
The Video up top is a presentation of the album’s awesome artwork (I’ll be picking up my copy on Sunday once I get paid). And the video down below is the great music video to “She’s Enough” the album’s second single.
The months Jan-March are traditionally the least interesting months in terms of music releases, but in 2011 we’ve seen quite a few of interesting releases:
Here is a list (in tentative order from best to worst with a tentative rating):
1. CunninLynguists – Oneirology (9.5 out of 10)
Easily the year’s best release comes from the ‘Lynguists. Their current 9.5 rating could easily turn into a perfect 10 by the year’s end, as I’m picking up something new with each listen.
2. Big K.R.I.T. – Return of 4eva (9 out of 10)
Admittedly, I slept on K.R.I.T.’s 2010 release, K.R.I.T. was Here and that was a BIG mistake. R4 is a phenomenal release. The release displays is excellent emcee skills and songwriting ability as well as his classic southern production which gives me flashbacks of 94-96 era of Dungeon Family.
3. Saigon – The Greatest Story Never Told (9 out of 10)
The long awaited Saigon debut was finally released this year, and it was well worth the wait. Top notch production from Just Blaze, and socially and politically conscious lyricism from the former Entourage star, will make this record one the year’s best.
4. Reks – R.E.K.S. (8.5 out of 10)
This Boston emcee paired with top tier boom bap production from the likes of DJ Premier, Pete Rock, The Alchemist, Sean C & LV, Nottz, Hi-Tek, and show stealer, Statik Selektah make up a record that sounds like it come out in 1996.
5. Stalley – Lincoln Way Nights (Intellectual Trunk Music) (8 out of 10)
This Ohio emcee has released one of the year’s most interesting mixtapes. With hard hitting production from Rashad, Stalley raps mostly about his sound system and his cars, which may sound boring and cliche, but he does it damn well.
6. Apollo Brown – Clouds (8 out of 10)
This Detroit beatsmith released an excellent instrumental album, with amazing samples and hard hitting drums. This atmospheric record is a great listen even without rymes, but I’d still really like to hear some dope emcees rip these tracks apart.
7. Chip Tha Ripper – Gift Raps (7.5 out of 10)
His latest release, Gift Raps, with producer, Chuck Inglish, is the Cleveland rapper’s best release of his young career. This focused effort will probably land Chip a record deal, and the emcee is starting to fulfill his potential.
8. Scavie Scoobs (of Custom Made) – Trap Star Vol. 1 (7 out of 10)
The Custom Made emcee branches off to release his first solo project, Trap Star. Noticeably more aggressive and focuses more on gangsta rap themes than the group’s 2010 release Hi-Def, Scoobs finds his own voice on his solo debut, while staying true to his Custom Made family.
Here is a list of releases that I’ve listened to a few times, but need to listen to more before I can give them even a tentative listen:
#. Pharoahe Monch – W.A.R. (We Are Renegades)
This politically charged record has some bangers on it for sure, but I need to give it a few more spins before I can decide how I feel about it.
#. Pac Div – Mania!
The West Coast group’s third mixtape in as many years, has the potential to be their best. While they’re prepping their major label debut, their independent work has made them one of my favorite groups of the past few years.
#. Money Making Jam Boys – The Prestige: Jam Boy Magic
This Philly-based super group that features Black Thought, Porn, Dice Raw, STS, and Truck North released their debut mixtape this year. I’ve given it one or two quick listens, but still need to give it a close listen to decide how I feel about it.
#. Grynch – Timeless EP
I’ve only give the Seattle emcee’s new EP only one quick listen but the title track and the Sabzi (of Blue Scholars) produced remix to his excellent 2010 single, “My Volvo” are two excellent tracks.
Here are two albums that I am highly anticipating but due to lack of funds I have yet to listen to:
Click to stream or for FREE download
I know, technically K.R.I.T. is no longer an independent artist since he recently inked a deal with Def Jam, but his 2nd self-released project, Return of 4evais independent project, so I’m going to post about it.
After his highly acclaimed 2010 album, K.R.I.T. Was Here he started to make a lot of noise on-line getting rave reviews from outlets including Okayplayer, Pitchfork, and many others. Admittedly I slept on the album, and I did try downloading the album a couple of times, but the link wasn’t working and I wasn’t compelled to keep trying.
When his second release came out, I decided to finally check in on what the hype was about. And almost instantly I became a believer of the Mississippi producer/emcee.
His style is a hybrid of all of my favorite southern artists. His production sounds a lot like Organized Noize, and his vocal delivery gives me flashbacks of the late/great Pimp C.
With obvious influences from Outkast, UGK, 8Ball & MJG, and Three Six Mafia, K.R.I.T. has brought a sound back to the south, that has for the most part, been absent for years.
Hopefully Def Jam gives him artistic freedom to do what he wants. They did do a good job with Big Boi’s album last year, even though they didn’t promote it well, it’s still better than what Atlantic has been doing with young promising talent (see: the corpses of B.o.B and Wiz Khalifa).
Tracks to check out: “Rise and Shine” “Dreamin'” “American Rapstar” “Lions and Lambs” “Another Naive Individual Glorifying Greed and Encouraging Racism” “Free My Soul” and “The Vent”
Pharoahe Monch’s long awaited third album, W.A.R. (We Are Renegades finally saw its release this week. The much anticipated project, and first on indie label Duck Down Music, features a stellar cast including production by: Exile, Marco Polo, and Diamond D and guest spots from: Phonte, Styles P, Immortal Technique, Citizen Cope, Royce Da 5’9″, Jean Grae, and more.
I’ve only listened to the album once so far (on the stream up above), but it sounds like it’s going to be one of the year’s bests. It is a politically charged album reminiscent of Dead Prez and Immortal Technique (who is featured on the album’s title track).
EDIT: After a few more listens, this album has started to grow on me, much like his previous album, Desire did. While Monch’s flow and lyricism is superb throughout, there is some less-than-stellar production on the record.
Monch does an excellent job of balancing politically charged tracks about racism and war with less-serious battle tracks like “Assassins” which features indie-mic slayers, Jean Grae and Royce Da 5’9″. Monch is ultimately at his best taking a Chuck D, Dead Prez-type role on tracks like the Styles P-assisted “Black Hand Side” and “Let My People Go.”
BONUS:
Here is the “extended music video” for the lead-single, “Clap (One Day).” The stunning visual plays more like a short film than a music video.
The ‘Lynguists fifth full-length album, Oneirology will be released next Tuesday (March 22), but Kno, Deac, and Natti decided to unleash the effort a week early. So far I’ve listened to the album probably close to ten times on the bandcamp, as I await the physical release. It really is among their best work. It’s unbelievable how much they can evolve their sound in a matter of months. This record sounds nothing like Deacon’s side-gig, N***az Wit Altitude or Kno’s solo opus,Death is Silent both of which were released less than 6 months ago.
Like their 3rd offering, A Piece of Strange, Oneirology is a concept record that revolves around fantasy, death, and dreams. I haven’t really been able to closely examine the narrative yet because I haven’t really listened to it all that carefully because I’ve been playing it mostly while doing homework over my laptop speakers, which definitely does not do the album justice (don’t worry I just ordered a new pair of headphones specifically for this album).
CunninLynguists recently released this live acoustic version of one of the album’s many standout cuts, “Looking Back.” This is a great performance with Natti and Deacon trading verses, Anna Wise singing the chorus, Kno on the drums, and (presumably) Willie Eames on guitar. I would LOVE to see them do the whole album in this format, in an MTV Unplugged-type setting.
Another highly anticipated independent release in 2011 will be Blue Scholars’ long-awaited 3rd LP, Cinemetropolis. The Seattle duo should’ve been included in my previous post, as one of my most anticipated releases of the year, but I forgot about it (it happens).
Sabzi and Geo released their 2007 opus, Bayani was originally released on Rawkus Records in 2007, then re-released through Duck Down in 2009, but this time they will completely cut out the record label, and release it completely independently. They have started a kickstarter page, asking fans to donate money to finance the album. The duo is trying to raise $25,000 by April 21. So far, fans have raised over $16,000 with 37 days to go.
There are great incentives for fans to donate to Blue Scholars including advanced copies of the album, concert tickets, limited edition posters, and more.
The sound of the album will be largely influenced by music of cinema, and will also include visuals to each track on the new record. Cinemetropolis is expected to be released in June, and a Fall tour will follow.
Here are the most anticipated independent hip hop releases of 2011. Granted there may be some I forgot about, and of course there will be a few that I didn’t know about. Here is the list in no order at all:
