All posts by jashowe

Double Reed Day

On Saturday, January 5th, 2013, Bowling Green State University’s College of Musical Arts will hold its annual Double Reed Day, hosted by Dr. Susan Nelson, assistant professor of bassoon, and Lynne Marie Mangan, adjunct associate professor of oboe, along with he BGSU bassoon and oboe studios.

The day will provide an opportunity for oboists and bassoonists of all ages and abilities to come together to explore and learn more about their respective instruments.  Double Reed Day will feature solo competitions for each instrument (one at the high school level, and one at the college level), masterclasses and recitals by BGSU faculty and Guest Artists, and presentations.

Guest Artists from the Grand Rapids Symphony are Alexander Miller, oboe and John Clapp, bassoon. The day will conclude with a performance by the solo competition winners and a large double reed ensemble consisting of the participants from the day.

Several outstanding vendors will have products and instruments available to try and purchase, such as TrevCo-Varner Music, Weait Music, Carlos Coelho Oboes and English Horns, Miller Marketing,  Moosmann Bassoons, double reed tools and supplies, Fox Products, and Robert D. Jordan CEO of Weisberg Systems, LLC (No-flick bassoon key system).

Presentations on instrument maintenance will be given by Barry Trent of Fox Products and Ko Kaiden of Ko Kaiden Expert Woodwind Repair.  Ko Kaiden will also give consultations and make small instrument repairs for part of the day.

Those participating should bring their instrument, reed making equipment, and repertoire if performing in a master class.

Registration for the event is online.  For more information and to register visit:

http://www.bgsu.edu/colleges/music/events/doublereed/index.html

New York’s Argento Chamber Ensemble Performs Lillios

New York’s famed Argento Chamber Ensemble will present works by BGSU composition faculty member Elainie Lillios on their upcoming “Argento Performers Series: Lunar Movements” concerts, December 15-16, 2012. Hailed by Alex Ross as “an essential source of adventurous new music”, Argento’s series celebrates the 100th anniversary of “Pierrot Lunaire”, with performances of Arnold Schoenberg’s masterpiece juxtaposed with recent and premiere compositions. The concerts will include Lillios’s alto flute and live electronics pieces “Among Fireflies” and her collaborative experimental animation “2BTextures”, created with BGSU digital artist Bonnie Mitchell. Concerts will take place at the Austrian Cultural Forum at 11 East 52nd Street, New York. For more information visit: http://www.argentomusic.org/current.html#series

 

Prof. Spohr Awarded Research Fellowship in Germany

Prof. Arne Spohr, professor of music history at BGSU, was awarded a six-month research fellowship by the Herzog August Bibliothek in Wolfenbüttel, Germany. Dr. Spohr will use this fellowship for his new research project on music, ceremonial and space at European courts during the Renaissance and Baroque.

The HAB is one of the world’s foremost research libraries for early modern studies, with most impressive holdings of unique printed and manuscript sources from the Middle Ages until the 18th century. Like the Newberry Library in Chicago, the HAB is a gathering place for international scholars, including many American historians, art historians, literary historians, theologians, and musicologists. Working at this institution offers many fruitful opportunities for interdisciplinary dialogue and exchange within the scholarly community. Beyond offering tremendous research opportunities, the HAB organizes seminars and colloquia on early modern topics, as well as concerts with music ranging from the Middle Ages to the present.

The Herzog August Bibliothek offers a highly competitive fellowship program for post-doctoral researchers in order to promote research in the areas of medieval and early modern cultural history. The international program is open to all historically oriented disciplines. Current fellows are both junior and senior scholars from all over the world, including the USA (from Stanford University, University of Wisconsin, Bucknell University and Carthage College), Estonia, France, Germany, Hungary, Italy, Poland, Russia and the United Kingdom.

www.hab.de

http://www.hab.de/forschung/stipendien/2012.htm

 

Profs. Sampen and Shrude guests for Kent State’s John Cage Celebration

On December 1, 2012, Distinguished Research Professors Marilyn Shrude and John Sampen visited Kent, Ohio as special guests for Kent State University’s  “John Cage Celebration.”   Shrude and Sampen’s lecture presentation was entitled “In Celebration: John Cage and the Saxophone” and was followed immediately by a performance of Cage’s composition FOUR 5 as directed by BGSU alumni Dr. Jeff Heisler.

 

This Kent State lecture was a repeat performance of Shrude/Sampen’s presentation at the World Saxophone Congress in Scotland last summer.  Included in their talk were specific details and film footage from Cage’s residence at BGSU in 1986 as well as television interviews with Dr. Shrude and a discussion of Cage’s subsequent commission for Sampen and the BGSU saxophone class.  FOUR 5 was one of John Cage’s last compositions before he died in 1992.

 

In addition to the featured lecture, Dr. Shrude also presented a guest masterclass for the Kent State composition department.

 

Lillios’s “Backroads” featured on Australian concert and workshop

Elainie Lillios’s (Associate Professor of Composition) electroacoustic work “Backroads” will be the featured composition at a November 27 and 28 sound diffusion workshop and concert sponsored by the Spatial Information Architecture Laboratory (SIAL) Sound Studios at the Royal Melbourne Institute of Technology in Melbourne, Australia. Organized for invited guests, the workshop and performance will showcase RMIT’s newly built Design Hub, and will serve as the pilot event for a new collaborative electroacoustic concert series.

Prof. Broman’s new book has been released

Per F. Broman’s monograph on composer Sven-David Sandström (b. 1942) was published in Sweden by Atlantis förlag. It outlines his entire career, from his early chamber compositions from high school to his most recent career as a composer of large-scales oratories and composition professor at Indiana University, Bloomington. During the week of the release of the book, Broman spent time in Stockholm, lecturing on Sandström and gave an interview on Swedish Broadcasting Corporation.