Daily Archives: December 1, 2014

Student Composers Confront “The Beast”

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David Dupont of the Sentinel Tribune writes,

“Composition students at Bowling Green State University tangled with a beast last week.

At the Student Composer Reading Session, five composition students had the chance to hear their compositions played by the Toledo Symphony Orchestra.

Writing a piece for orchestra is no small task, said Chris Dietz, the composition professor who organized the event. He likened the orchestra to a “72-headed dragon.”

Composition students at Bowling Green State University tangled with a beast last week. At the Student Composer Reading Session, five composition students had the chance to hear their compositions played by the Toledo Symphony Orchestra.

Writing a piece for orchestra is no small task, said Chris Dietz, the composition professor who organized the event. He likened the orchestra to a “72-headed dragon.”

Students presenting works were: Chris Lortie, Lydia Dempsey, Alan Racadag, Brian Sears and Kyle Laporte. Their work was selected from about 20 applicants, Dietz said.

Guest composer Steven Stucky, who has worked closely with the Los Angeles Philharmonic, said the students were up to the task. “The whole thing came out very well.” He was especially impressed with the variety of the works presented. “None resembled each other.” Some had robust sections that evoked a movie soundtrack; some had passages of great tenderness.

Sears’ “Fractured Spirits” celebrated the human spirit as it confronts life’s traumas. Racadag’s “ONE” seemed to give voice to mathematical formulae. The pieces required the orchestra to articulate serpentine rhythms with the utmost precision.

A couple pieces had the musicians making up some sounds on the spot. The orchestra, conducted by Michael Lewanski, handled it all with aplomb, Stucky said.

Laporte tackled the notion the orchestra as beast head on in “Fire Breather.” He imagined, he said, the orchestra as “a humongous being” that comes to life in the course of the piece. The orchestra, despite the pieces experimental elements, brought the music to life, he said. “I was very pleased. It was quite experimental.”

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