Sistine Chapel
The way the lighting in this painting is all depicted towards the middle, creating the focal point of first glance to the valley below. At second glance your eyes start to move out ward showing the struggle that seems to be happening. There is a lot of gradation in the colors that also draw your eye to the center. When you see the corners you notice asymmetrical balance in the way the table and the dynamic groups of people are placed and the events of what they are doing.