Books To Be Reviewed / Books Under Review

The following list denotes books requiring reviews:

Balcerzak, Scott, and Jason Sperb, eds. Cinephilia in the Age of Digital Reproduction:  Film, Pleasure and Digital Culture, Vol. 2.  New York:  Columbia UP, 2012. Print.

Block, Marcelline, ed. World Film Locations: Paris. Chicago: U of Chicago P, 2011. Print.

Cohen, Thomas F. Playing to the Camera: Musicians and Musical Performance in Documentary Cinema. New York: Columbia UP, 2012. Print.

Dunleavy, Trisha, and Hester Joyce. New Zealand Film and Television: Institution, Industry and Cultural Change. Chicago: U of Chicago P, 2011. Print.

Foery, Raymond. Alfred Hitchcock’s Frenzy: The Last Masterpiece. Toronto: Scarecrow Press, 2012. Print.

Gray, Jonathan, and Amanda D. Lotz. Television Studies. Malden, MA: Polity Press, 2012. Print. Short Introductions.

Hansen-Miller, David. Civilized Violence:  Subjectivity, Gender and Popular Cinema. Burlington: Ashgate, 2011. Print.

Insdorf, Annette. Philip Kaufman. Urbana: U of Illinois P, 2012. Print. Contemporary Film Directors.

Jess-Cooke, Carolyn. Film Sequels: Theory and Practice from Hollywood to Bollywood. Edinburgh: Edinburgh UP, 2012. Print.

Johnson, David T.  Richard Linklater. Urbana: U of Illinois P, 2012. Print. Contemporary Film Directors.

Kim, Kyung Hyun.  Virtual Hallyu:  Korean Cinema of the Global Era. Durham: Duke UP, 2011. Print.

Lacey, Stephen, and Ruth McElroy, eds. Life on Mars:  From Manchester to New York.  Cardiff:  U of Wales P, 2012. Print.

Martin-Jones, David. Scotland: Global Cinema: Genres, Modes and Identities. Edinburgh: Edinburgh UP, 2009. Print.

Myer, Clive, ed. Critical Cinema:  Beyond the Theory of Practice. New York: Columbia UP, 2011. Print.

Nerenberg, Ellen.  Murder Made in Italy:  Homicide, Media, and Contemporary Italian Culture.  Bloomington:  Indiana UP, 2012. Print.

Nieland, Justus. David Lynch. Urbana:  U of Illinois P, 2012.  Print.  Contemporary Film Directors.

Olson, Debbie, and Andrew Scahill, eds. Lost and Othered Children in Contemporary Cinema.  New York:  Lexington Books, 2012. Print.

Passerini, Luisa, Jo Labanyi, and Karen Diehl, eds. Europe and Love in Cinema. Chicago:  U of Chicago P, 2012. Print.

Pippin, Robert B. Fatalism in American Film Noir: Some Cinematic Philosophy. Charlottesville: U of Virginia P, 2012. Print.

Quandt, James, ed. Robert Bresson Revised.  Rev. ed. Bloomington:  Indiana UP, 2011. Print.

Richardson, Chris, and Hans A. Skott-Myhre, eds. Habitus of the Hood.  Chicago: U of Chicago P, 2012. Print.

Robinson, Jessica.  Life Lessons from Slasher Films. Toronto: Scarecrow Press. 2012. Print.

Sander, Gordon F. Serling: The Rise and Twilight of TV’s Last Angry Man. Ithaca: Cornell UP, 1992. Print.

Sbardellati, John.  J. Edgar Hoover Goes to the Movies:  The FBI and the Origins of Hollywood’s Cold War. Ithaca: Cornell UP, 2012. Print.

Shumway, David R. John Sayles. Urbana:  U of Illinois P, 2012. Print. Contemporary Film Directors.

Wahl, Jan.  Carl Theodor Dreyer and Ordet: My Summer with the Danish Filmmaker.  Lexington: U of Kentucky P, 2012. Print.

Weber, Tina. Drop Dead Gorgeous: Representations of Corpses in American TV Shows. Frankfurt: Campus Verlag, 2011. Print.

Wiles, Mary M. Jacques Rivette. Urbana: U of Illinois P, 2012. Print. Contemporary Film Directors.