Category Archives: woodwinds

BGSU Opera Theatre presents “Dialogues of the Carmelites”

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BOWLING GREEN, O. – Francis Poulenc’s “Dialogues of the Carmelites” will be presented at 8 p.m. March 27 and 3 p.m. March 29 in the Thomas B. and Kathleen M. Donnell Theatre in the Wolfe Center for the Arts on the BGSU campus.

Poulenc’s powerful 1957 opera, about an order of Carmelite nuns who refuse to renounce their beliefs in the wake of the French Revolution, is presented in collaboration with BGSU’s Department of Theatre and Film. The opera is directed by Nicholas Wuehrmann and features the orchestra conducted by Dr. Emily Freeman Brown. In accordance with Poulenc’s wishes that the opera be performed in the language of its audience, BGSU’s production will be sung in the composer’s approved English translation by Joseph Machlis.

With social unrest rippling through Paris, a timid young woman leaves her aristocratic family to seek refuge at a convent in northern France. She strives to align with her fellow sisters, who soon discover they must either abandon their monastery or face certain execution. Their act of defiance in the face of fear becomes a gripping, emotional story of loyalty, redemption, and sacrifice.

“Poulenc’s soaring score is served beautifully by The BGSU Opera Theater, and the universal themes of war, persecution, fear, faith and love are given a unique treatment by our production which transcends time,” noted Nicholas Wuehrmann, visiting director for the opera. Wuehrmann is an actor/singer/director living in New York City. He performs in musical theater, film and television, Shakespeare, comedy and drama, opera and operetta, and with symphonies.

Tickets for “Dialogues of the Carmelites” are $15 for adults and $5 for students or children when purchased in advance. On the day of the performance, all tickets are $20. To purchase tickets, visit bgsu.edu/Arts or call the Arts Box Office at 419.372.8171.

Summer Music Institute at BGSU boosts young musicians’ skills

BOWLING GREEN, O.—Bowling Green State University’s critically acclaimed Summer Music Institute is open for registration. Presented by the College of Musical Arts, the institute features nine weeklong sessions, ranging from woodwinds to voice, brass and musical theater. Students will work with BGSU music faculty and guest artists who will challenge and inspire in a college setting. Register at BGSU.edu/SMI before April 30 for $40 off the registration fee.

Session one (June 14-19) includes Piano Camp, Double Reed Camp, Recording Camp, String Camp and Musical Theater. During Piano Camp, students receive private lessons, participate in master classes, play piano duos, attend recitals and perform. In Double Reed Camp, students get hands-on experience making reeds, performing in master classes and honing techniques on bassoon and oboe. Students signed up for Recording Camp, for ages 15-18, will experience a professional sound studio from both sides of the glass, performing and coordinating a recording. String students will receive coaching from the BGSU string faculty and special guests. Advanced string students are encouraged to apply for the Honors String Quartet. Members of the Honors String Quartet receive a full scholarship to cover housing, meals and the registration fee. Musical Theater Camp will focus on audition techniques.

Session two (June 21-26) comprises Brass Camp, with ensembles, private lessons, seminars and performances; Super Sax Camp, which explores both classical and improvised jazz music in private lessons, chamber rehearsals, improvisation clinics and concerts; Flute Camp, whose students will receive private lessons, seminars and master classes as well as breathing, sound, articulation and technique lessons; and Vocal Arts Camp, which educates campers in diction, vocal interpretation, audition techniques, stage deportment and other performance skills. Vocal students must be entering grade 10 or higher.

Students may commute to camp or stay on campus during the week. No audition is required. Recording students must be at least 15 years of age, though exceptions can be made.

Check-in times for each camp are the first day of camp on Sunday between 1 and 3 p.m. For more information and to register, visit BGSU.edu/smi or call 419-372-2506.

Susan Nelson Highlights Bassoon in Montana

Susan Nelson

Dr. Susan Nelson was invited as the guest artist for the University of Montana Concert Band Festival last month during the week of February 23rd, 2015.  During the festival Nelson gave several performances of the Eric Ewazen Bassoon Concerto with the UM Symphonic Wind Ensemble, presented multiple clinics to high school bands visiting from around the state, performed with several middle school groups, and gave master classes and lessons to the UM bassoon studio and a private studio in Missoula comprised of students from Montana and Idaho ranging from elementary to college age.

Bassoon Chamber Music New Release from Susan Nelson and BGSU Faculty

BCMCC CD Cover

“Elements,” the winning works from the 2012 and 2014 Bassoon Chamber Music Composition Competition was released on January 1st with the MSR Classics label. The CD showcases music for bassoon, and all the works on the CD are world premiere recordings. Recording artists include Susan Nelson, bassoon; Nermis Mieses, oboe; Solungga Fang-Tzu Liu, piano; Jennifer Goode Cooper, soprano; Matthew Daline, viola; Steve Miahky and Christina McGann, violins; Jacqueline Black, cello; and Jeffrey Barudin, marimba.  The pieces were recorded in the Donnell Theatre in the Wolfe Center for the Arts by Mark Bunce.

Susan Nelson, Professor of Bassoon at BGSU, is a performer and proponent of new works for the instrument. This winter she is the Guest Artist Instructor for the Bocal Majority Bassoon Camp in Las Vegas, January 17-19, 2015.  Dr. Nelson will work with students on reed making, chamber music, and special topics as well as give daily faculty recitals.

48th Annual BGSU Competition in Music Performance Winners Announced

The 48th Annual BGSU Competitions in Music Performance were held the week of December 8, with finalists competing on Saturday, December 13, 2014 in Kobacker Hall on BGSU’s campus.

Coordinator of the competition, Dr. Nermis said “The judges were impressed with the high quality of performance. It was difficult for them to choose only two winners in each category since it was so clear there were more competitors that deserved to be commended. “

Undergraduate Division Winners included Quincheng Zeng, piano (Wuhan, China) student of Laura Melton, and Chi Him Chik, saxophone, (Hong Kong) student of John Sampen. Honorable Mention was awarded to Elizabeth Ritter, flute, (Ann Arbor, MI) student of Conor Nelson.

Chik Chi Him
Chik Chi Him
Qincheng Zeng
Qincheng Zeng

Qincheng

Elizabeth Catharine Ritter
Elizabeth Catharine Ritter

Graduate Division Winners included Chappy Gibb (not pictured), flute (Stillwater, MN), student of Conor Nelson, and Christopher Murphy, saxophone, student of John Sampen. Honorable Mention was awarded to Gunther own Hirthe, clarinet (Green Bay, WI), student of Kevin Schempf.

Christopher Lawrence Murphy
Christopher Lawrence Murphy
Gunnar Hirthe
Gunnar Hirthe

Composition Division winner was Thomas Beverly (San Antonio, TX)  and the Virginia Marks Collaborative Piano Award was given to Stephanie Titus, piano (Indianola, IA), student of Tom Rosenkranz.

Stephanie Titus
Stephanie Titus
Thomas Beverly
Thomas Beverly

 

Other graduate finalists included: Jacqueline Berndt, flute; Andrew Kier, clarinet; Danny Milan, piano; and Eun Hae Oh, flute. Undergraduate finalists included Tom Darlington, trumpet; Linda Jenkins, flute; Julia Kuhlman, saxophone; AJ Skojac, clarinet; and Malcolm Thompson, piano.

Judges for the preliminary round included James Westhoff, bassoon, Damon Coleman, cello, David Denniston, horn, Phillip Clark, piano and Carol Dusdieker, soprano. Final round judges included Ellen Breakfield, clarinet, Daniel Thomas, cello, Jonathan Ovalle, percussion, Amy Cheng, piano, Robert Peavler, baritone, and Mathew Fuerst, composer.

Winners will perform at the annual Concerto Concert with the Bowling Green Philharmonia on Sunday, March 1, 2015 at 3:00 p.m. in Kobacker Hall. For tickets,

visit bgsu.edu/arts.

Class of 2014 Success Stories: When Reality Strikes

Kimberly Lewis

Music major overcomes setbacks to achieve high goals

By Liz Gladieux

 

Her lifelong dreams revolved around music. She sat first chair flute in the top band at Ohio’s Stow-Monroe Falls High School and she was accepted into BGSU’s nationally recognized College of Music to study music education. Kimberly Lewis thought she was right on track to achieve her goals.

“All I ever wanted to do with my life was to be a musician and help others through music,” said Lewis. “From the time I can remember, music was a main focus in my life. I couldn’t imagine myself having a profession that did not involve music.”

During her freshman year at BGSU, reality hit Lewis hard. “I wasn’t seated in the top band, Wind Symphony. I wasn’t seated in Concert Band, the second tier band,” said Lewis.  “I was seated in University band, a non-audition based band. I was the lowest ranked flute major at BGSU!”

This placement was a huge blow to Lewis and it made her question where she was headed and what she should do. “This placement was a real reality check for me,” she said.

Lewis looked inward and realized she was suffering from performance anxiety and self-doubt. “I realized I would have to work hard to get better in order to do what I wanted.”

She decided to find out more about performance anxiety and how to conquer it. As part of her Honors program, she worked with Dr. Conor Nelson, assistant professor of flute, and Dr. Kenneth Thompson, chair of music education, to research the subject. She also attended a summer festival and workshop focused on performance anxiety and carried out extensive research.

“This project made me realize I wasn’t alone and that I was in control.  It was up to me to change my reactions to the anxiety,” she said.

The change did not happen overnight. “It wasn’t until I made the finals of the BGSU Concerto Competition during my junior year that I began believing in myself. I didn’t think I was good enough, but I kept trying. No one was more surprised than me when I made the finals! It was in my junior year that I really began enjoying the experience of performaing,” said Lewis.

Overcoming performance anxiety was just the first step for Lewis. During one of her flute lessons with Nelson, he asked if she had considered being a performance major. Initially surprised at the suggestion, it propelled Lewis into an even more focused drive for success in music. “I realized that the music world is big and full of many different ways to share music.”

Three years later, Lewis has achieved her goals. She will end her BGSU career as second chair flute in the Wind Symphony and will be graduating Dec. 19 with a double major in music education and music performance.

Lewis gives credit for much of her success to Nelson. “He saw things in me I didn’t see or believe I had. I didn’t have enough confidence and he helped to instill that in me. I don’t know if I could have done it without Dr. Nelson.”

Nelson has nothing but praise for Lewis. “Majoring in both music education and performance is not for the weak of heart. It is a track that only someone with her exquisite time-management skills, talent and broad interests could possibly manage. We are so proud of her. Kim matured exponentially as a musician and flutist during her time at BGSU.

“Musically, her developments were of epic proportion; in many respects, I have never seen anyone improve so quickly. She now plays with a sound that belies her years and with an excitement for music that is apparent to all. In tandem with her somewhat shocking musical developments, she also grew as a person, overcoming any obstacle in her way,” noted Dr. Nelson.  “Kim is a true star. I feel that she could do anything she puts her mind to and I know that she will make the CMA proud.”

Other faculty with whom she worked also noticed Lewis’ abilities. “Kim came to BGSU with a great deal of talent, but with limited experience. She is a perfect example of what a student can achieve if they apply themselves to focused worked and diligent study,” said Thompson. “She performed in our third tier ensembles as a freshman, and in four short years advanced to the very top of our undergraduate class, performing in top level ensembles and being recognized as a finalist in our concerto competition. She is an excellent young musician and teacher.”

Lewis will pursue her master’s degree in music and then see what happens next.

“I would like to teach flute on a collegiate level, but if it doesn’t happen, that’s okay,” mused Lewis. “It doesn’t matter what level I teach. What matters is that I will be teaching and helping others to have a great musical experience and sharing my music with as many people as possible.  There are so many paths and options ahead of me.”