Category Archives: voice

CMA Faculty, Students, and Alumni Make Substantial Contribution to the Toledo Opera

The Toledo Opera’s production of Giuseppe Verdi’s Aida on October 4 and 6 was a grand success, in no small part due to the contributions of several current and former members of the College of Musical Arts.  Dr. Sean Cooper, Assistant Professor of Voice, sang the role of the King of Egypt and Kevin Bylsma, Instructor of Opera (repetiteur), is the Chorusmaster of the Toledo Opera. Austin Heath, a recent graduate, made his Toledo Opera debut in the role of the Messenger.
Of the forty-two member opera chorus for this production, eighteen were CMA students and alumni. Current graduate students included Anthony Ferrer, Madeline Harts, Liz Hood, Patty Kramer, Letara Lee, Daniel Parsley, Maegan Pollonais, Jackie Stearns, Stephanie Tokarz, Joel Trisel, and Rory Wallace. Undergraduate students in the chorus were Patrick Conklin and Ricardo Mota. Alumni from the CMA included Greg Ashe, Timothy Bruno, Austin Heath, Dustin Hill, and Laura Reaper.

Sunny Boys Quartet shines at international competition

Sunny Boys

BOWLING GREEN, O.—Bowling Green State University continued its longstanding tradition of excellence in vocal performance this July when The Sunny Boys placed second in the collegiate quartet division at the Barbershop Harmony Society’s International Convention in Toronto, Canada — despite the far-flung group members’ having had to rehearse together largely online, through Skype.

The annual competition draws over 10,000 present barbershop singers, many of whom are choral directors from around the world. In addition, thousands of others watch the competition through online streaming.

BGSU student Nicholas Gordon helped form the quartet with bassist Christian Diaz, tenor Edward Mejia, and lead Alberto Rico.

Sunny Boys’ coach Douglas Wayland, an assistant professor of voice in music performance studies, has coached other winning groups, including BGSU’s 2011 first-prize winning quartet, Prestige, of which Gordon was also a member. Wayland received the 2012-13 Distinguished Faculty Award, and has helped promote appreciation of barbershop quartets.

For a quartet to compete at the international level, it must get through the difficult preliminary qualifier round, which is held in dozens of districts throughout the U.S. and in other participating countries. Although barbershop singing began as an American genre, it has become international. Winners have come from Sweden, Canada and New Zealand. Quartets are scored based on three categories: singing, musical, and performance.

The only member from BGSU, Gordon met Diaz while working and singing together in Disney World, Fla., last winter. Diaz knew the other two men from previous singing experiences. Before long, the quartet read different pieces and saw potential.

According to Wayland, one of the key ingredients of putting a successful quartet together is having four exceptional voices that can blend well.

“Our blend was so promising that we decided to stay together and compete,” Gordon said.

Despite their talent and musical rapport, The Sunny Boys faced obstacles in their rehearsals. With the members living in different states, the only solution they found to rehearsing was through Skype. They were only able to rehearse in person a few days prior to the competition, with the help and direction of Wayland.

Luckily, all four men had extensive barbershop experience. The three non-BGSU members had been in a quartet called “Spanglish” that received third place in the collegiate division in 2010. Wayland was confident the quartet had prepared adequately.

“When you work with students who come with that kind of experience and preparation, you only have to tweak and make suggestions to fix minor problems — just like a conductor who works with an orchestra that is already musically prepared,” he said.

The Sunny Boys won the most points in the singing category and only lost 30 out of a possible 1,800 points.

Gordon spoke fondly of the support Wayland has shown him through the years. “Doug has been there for every single one of my competitions. He’s traveled to California, Missouri, Pennsylvania, Florida and now Toronto in order to support me,“ Gordon said, “He realized early on that I had a deep passion for barbershop singing and he’s helped me sing it in the healthiest way possible.

“We had no idea what the outcome would be, and we couldn’t be more proud of our accomplishment. Barbershopping has taken me to so many places I never could’ve imagined.”

The group was also fortunate to receive financial support from Pro Musica, a Bowling Green organization that helps student musicians travel to outside performances and conferences.

“With the incredible support of Pro Musica, I have been able to keep barbershop in my life and it has helped me grow exponentially, not only as a musician, but as a human being,” Gordon said.

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A Cappella Choir Spring Tour

Sunday, May 5

11:00 a.m. – Church Service at First United Methodist Church, Bowling Green, OH

1506 East Wooster

Bowling Green, OH 43402

 

7:00 p.m. – Evening Concert at Bay United Methodist Church, Bay Village, OH

29931 Lake Rd

Bay Village, OH  44140

 

Monday, May 6

 

11:00 a.m. – Performance at Manchester Presbyterian Lodge, Erie, PA

6351 West Lake Road

Erie, PA 16505

 

7:00 p.m. – Evening Concert at Unitarian Universalist Church of Buffalo

695 Elmwood Ave.

Buffalo, NY 14222

 

Wednesday, May 8

 

7:30 p.m. – Evening Concert at Knox Presbyterian Church, Waterloo, ON

50 Erb Street West

Waterloo, Ontario, N2L 1T1

BGSU issues call for young musician applicants for “From the Top”

BOWLING GREEN, O.—Accomplished young classical musicians from northwest Ohio are invited to audition for a chance to appear on National Public Radio’s popular program “From the Top.” Bowling Green State University’s College of Musical Arts will host a live taping of the preeminent showcase for young musicians, to be recorded at the Moore Musical Arts Center Sept. 28. The event will lead off the college’s 2013-14 Festival Series.

Hosted by pianist Christopher O’Riley, the show is heard locally Sundays on WGTE-FM and features the performances and personal stories of extraordinary young classical musicians from across the country.

Regional musicians can submit an application and recording by mail. Applications can be downloaded at www.fromthetop.org and are due by June 28 to be considered for the BGSU taping.

Classical musicians ages 8-18 who have not yet graduated from high school are eligible for the program. Young performers can audition as soloists (including vocalists), instrumental or vocal ensembles, or as composers who have a piece they wish to have performed. While the show focuses mostly on classical repertoire, from time to time it will feature other genres, especially if the piece connects with the heritage of the regional taping.

There is a $50 application fee which can be paid online or by check. The fee is waived for students with financial need who are also applying for the show’s Jack Kent Cooke Young Artist Award scholarship.

In addition to being a radio program, From the Top is an independent, Boston-based nonprofit. Each year, it partners with the Cooke Foundation to award about 20 scholarships of up to $10,000 to pre-collegiate classical musicians who appear on the show. Students must demonstrate high levels of artistic achievement as well as financial need to be eligible for the award. Interested applicants apply for the scholarship in tandem with their application to appear on the radio program. More information about the Jack Kent Cooke Young Artist Award can be found on the “From the Top” website.

What began as a radio experiment in 2000 quickly became one of the fastest growing and most popular weekly classical music programs on public radio. Broadcast on nearly 250 stations nationwide to an audience of nearly 700,000 listeners each week, “From the Top” has been described by the Boston Globe as “an entertaining, accessible and inspirational mix of outstanding musical performances, informal interviews, skits and games; the show is a celebration of extraordinary musicians who happen to be teenagers leading fairly normal lives.”

Annually, the program’s live tapings reach more than 20,000 audience members of all ages. In conjunction with its national tour, From the Top offers leadership training to young artists and conducts classroom and community programs leveraging the power of its performers as role models for younger students. Through the Jack Kent Cooke Foundation, the program has invested more than $1.6 million in support of pre-college students since 2005. Learn more at www.fromthetop.org.